604

Max Roach: We Insist! Freedom Now Suite

Chris May By

Sign in to view read count
Max Roach: We Insist! Freedom Now Suite Re-released following the passing of drummer Max Roach in August 2007, We Insist! Freedom Now Suite (Candid, 1960) remains a work of enduring musical and social importance. Notwithstanding Roach's central role in the creation of bop, or his later hard bop explorations with trumpeter Clifford Brown, it is, by some margin, the most perfectly realised album he recorded.



1960 was the year in which black Americans' struggle for civil rights reached critical mass. In February, anti-segregationist lunch-counter sit-ins began in Greensboro, North Carolina. Rallies, marches and sit-ins spread out across the country like a bushfire, with black, and white, musicians, dramatists and visual artists adding their voices to the movement. The question was no longer perceived as whether a change was going to come, but when it would come.



We Insist!, recorded in August and September 1960, was the first of several jazz albums explicitly to voice the growing demand for equal rights. In November, it was followed by the recording of bassist Charles Mingus' Charles Mingus Presents Charles Mingus (Candid, 1960), whose "Original Faubus Fables," a ferocious attack on Arkansas governor Orval E. Faubus (of Little Rock High School infamy), possessed an intensity which set the tone for most jazz-as-protest albums to follow.



Some of those albums sound like period pieces today, but not We Insist!, which is sufficiently nuanced and free of agit-prop literalism to transcend its era. Conceived as a suite by Roach, its composer and arranger, the album features a shifting cast of players, with only Roach and singer Abbey Lincoln heard throughout. Three of the five tracks—"Driva' Man," "Freedom Day" and "All Africa"—feature lyrics by Oscar Brown Jr., sung by Lincoln, who is joined on "All Africa" by Nigerian conga player Michael Olatunji. Brown's words, pitched as poetry rather than polemic, are deep and eloquent, and Lincoln's assertive, uncompromising delivery of them is widely considered to be her finest recorded performance.



The album is ablaze with instrumental spirit too. Tenor saxophonist Coleman Hawkins, in an inspired piece of guest casting, solos at length on the opening "Driva' Man," his sturdy, heavyweight testifying suggesting dignity and determination in the face of whip-wielding oppression—he sounds like the civil rights marchers looked. "All Africa" closes with four minutes of collective improvisation between Roach, Olatunji and Afro-Cuban percussionists Ray Mantilla and Tomas DuVall, as thrilling an African/Afro-American drum summit as could be wished for. There are stirring solos from trumpeter Booker Little, trombonist Julian Priester and tenor saxophonist Walter Benton, and the ensemble's focus is razor sharp throughout, honed by Roach's virtuosic drumming.



Awesome is an over-used word, but it's the right one for We Insist!.


Track Listing: Driva' Man; Freedom Day; Triptych (Prayer, Protest, Peace); All Africa; Tears For Johannesburg.

Personnel: Max Roach: drums; Booker Little: trumpet; Julian Priester: trombone; Coleman Hawkins: tenor saxophone (1); Walter Benton: tenor saxophone; James Schenck: bass; Michael Olatunji: congas; Ray Mantilla: percussion; Tomas DuVall: percussion; Abbey Lincoln: vocals.

Year Released: 2007 | Record Label: Candid Records | Style: Straight-ahead/Mainstream


Shop

More Articles

Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read The MUH Trio – Prague After Dark CD/LP/Track Review The MUH Trio – Prague After Dark
by C. Michael Bailey
Published: February 23, 2017
Read Les Deux Versants Se Regardent CD/LP/Track Review Les Deux Versants Se Regardent
by John Sharpe
Published: February 23, 2017
Read Molto Bene CD/LP/Track Review Molto Bene
by Mark Corroto
Published: February 23, 2017
Read Fellowship CD/LP/Track Review Fellowship
by Dan Bilawsky
Published: February 22, 2017
Read E.S.T. Symphony CD/LP/Track Review E.S.T. Symphony
by Karl Ackermann
Published: February 22, 2017
Read "Sektion 1-2" CD/LP/Track Review Sektion 1-2
by Mark Corroto
Published: December 21, 2016
Read "Zero To 60" CD/LP/Track Review Zero To 60
by Dan Bilawsky
Published: February 24, 2016
Read "Mediterrana" CD/LP/Track Review Mediterrana
by Franz A. Matzner
Published: July 14, 2016
Read "An Untroublesome Defencelessness" CD/LP/Track Review An Untroublesome Defencelessness
by Mark Corroto
Published: July 22, 2016
Read "Jassemblage" CD/LP/Track Review Jassemblage
by Chuck Koton
Published: June 18, 2016
Read "Connection" CD/LP/Track Review Connection
by Glenn Astarita
Published: May 11, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!