If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Pianist Manuel Valera merges a classical woodwind quintet with his traditional jazz quartet on a whirlwind of original adventure and swing. His chamber jazz ambience has been influenced by classical composers such as Debussy, Ravel, Stravinsky and Shostakovich but Valera has replaced the French horn from the classical idiom with a bass clarinet, giving a different texture to his ensemble. Five selections feature the jazz quartet aloneJoel Frahm (soprano and tenor saxophones), James Genus (bass) and Ernesto Simpson (drums)while another seven pieces find them merged with the chamber ensemble.
Originally from Cuba, where he studied classical music as a saxophone major, Valera moved to New York where he switched to piano and immersed himself in the eclectic Big Apple musical arts scene. As a twenty-something jazz innovator, he's sure of himself and by integrating jazz and blues with classical winds, he's created a festive affair with plenty of soul. You can feel tango, mambo and rhapsody integrated with the swinging jazz textures.
The album's title means winds in Spanish and in his liner notes, Valera points out that he considered a double meaning when he put this album together, since his music has adopted a flowing, wind-like feel. The addition of oboe, flute, clarinet, bassoon and bass clarinet produces a clarion sonority that moves freely with ease. Throughout the session, Valera and Frahm float melodies that intertwine eloquently. The woodwinds do, indeed, lend a lovely blanket of sound that wraps up this recommended album with a sure twist of affection.
Track Listing: Vientos; A la Interperie; So You Say; Danz
Personnel: Manuel Valera: piano, Fender Rhodes electric piano; Joel Frahm: tenor saxophone, soprano saxophone; James Genus: double bass; Ernesto Simpson: drums; Aaron Heick: oboe, English horn; Anne Drummond: flute, alto flute; Anat Cohen: clarinet; Charles Pillow: bass clarinet, English horn (8); Michael Rabinowitz: bassoon.
I was first exposed to jazz while learning to play chess with my uncles. They would play smooth jazz, and then switch up to more standard types of jazz. But, when they played Kind of Blue by Miles Davis, I was
hooked and I haven't looked back.