Siril Malmedal Hauge and Jacob Young Chasing Sunsets
Oslo Session Recordings
Siril Malmedal Hauge and Jacob Young
are no strangers to finding beauty in simplicity. They made a sleeper highlight of 2018 when they first teamed up for Last Things
(Oslo Session Recordings), and their second outing offers more of the same in subtly different ways. Again the format is simple: merely guitar and voices with only a couple small additionsmultiple layers of Hauge's lovely crooning here, subtly bright saxophone thereand again the mood is quiet and peaceful as a sunset.
There are some interesting not-too-obvious selections through the list, including the most warmly languid reading that Burt Bacharach's "I Say a Little Prayer" has probably ever gotten. Their original pieces make up half the set, though, and if anything it's the stronger half. There are light bouncing choruses or slinky noir sprinkled around to liven up the pace just enough. Three shared vocal leads demonstrate how Young and Hauge's actual voices blend just as beautifully as their figurative ones. Bare- bones as the affair is, it still doesn't need any more dressing than it has. The performances make it an experience worth luxuriating in all on their own.
Snowpoet Wait for Me Edition Records
If most poets tend to live in a world of their own, Snowpoet
can claim a small galaxy. The outfit has existed in a lush sort of electro-folk dreamworld for an EP and two full-lengths, centered around Lauren Kinsella
's unpretentiously evocative words and a voice just as alluring. Still, even the rich slow-grower Thought You Knew
(Edition, 2018) doesn't quite prepare the listener for what this follow-up offers straight from the first hypnotic swirl. With a scope of sound more expansive than ever on Wait for Me,
they reach a new level of gorgeously strange.
Kinsella is in exquisite form as she muses, narrates, sings, scats and builds beautiful vocal layers of all kinds. This time it's also fitting that she and Chris Hyson
share the cover, as his co-writing and soundscapes deserve every bit as much credit. The natural tones of piano and violin are often surrounded by multi- layered voices and synthesizer around the fringes, always making an organic kind of logic even as the pieces continually take unexpected turns. Kinsella's words build an exotic collage of images and feelings, while all the backing coos and sonic shimmers are likewise chosen with care to add to the immersive experience.
It makes for a delicate mix of eloquent sophistication and otherworldly charm, enhanced by their willingness to use any sonic element out there. Snowpoet's flights of fancy call for gentle strings in some spots and full techno trance (in a skewed-yet-catchy 7/4, no less) in others. It's a suitably wide-ranging production for a recording themed around confusing times, and yet this dreamy experience is a positive and hopeful one when it gets time to unfold.
Tracks and Personnel Chasing Sunsets
Tracks: Chasing Sunsets; The Lovesong; Nobody Else But Me; Wake Up; High Alert; How Can I Advise You; I Say a Little Prayer; The Ceiling; Someone to Watch Over Me; Time; My Ideal; You Are So Beautiful.
Personnel: Siril Malmedal Hauge: lead and backing vocals, flute (5); Jacob Young: electric and acoustic guitars, lead vocals, delay guitars; Knut Riisnæs: tenor saxophone (4). Wait for Me
Tracks: Roots; The Wheel; A Chance to Hear the Rain; Sky Thinking; FaceTime; Early Feelings; Tiers; With You; Here's the Thing; Burn Bright; Floating Practice; Wool Cotton Lace & Snow.
Personnel: Lauren Kinsella: vocals; Chris Hyson: piano, synths; Matthew Robinson: piano, synths; Josh Arcoleo: saxophone; Dave Hamblett: drums; Lloyd Haines: drums; Alex Haines: guitar: Alice Zawadski: violin.
For the Love of Jazz
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles
for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today