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MUSICIAN Born:

Jacob Young

Born in Lillehammer in 1970, Young was introduced to jazz by his American father. At the age of 12 he took up the guitar and was, initially, self-taught on the instrument. After studying music at the University of Oslo, he received a scholarship to the New School for Jazz and Contemporary Music in Manhattan. His years there were devoted to learning the standard jazz repertoire as a starting point for a broader understanding of improvised harmonic music. Young’s principal teacher was the great guitarist Jim Hall, Jacob’s warm, glowing, rounded tone acknowledges the influence, with whom he studied both privately and in ensemble settings

Wilderness

Label: Oslo Session Recordings
Released: 2020
Track listing: The Wait; Wilderness; Trees of Siberia; Yellowstone; Psalm Recycled; Gaia; Flow; Spare.

They Say Humans Exist

Label: Oslo Session Recordings
Released: 2020
Track listing: Supernatural Roadtrip; They Say Humans Exist; Thank you My People/Kaou Barikada; Tactile Memory; Cakkubg Oeioke to the Music/Ayou Wele; The North/Koron Fe; Out of a Dream; Soundtrack Lost; Blood Horizon.

Almost Alone Vol 1

Label: Samo Records
Released: 2020
Track listing: Miss Sarcasm; Nightmare; Crooswijk; Awkwardly Placed; Coalition of the Mistaken; Looking Back; Seagulls in Maine; Seven Cats; Not Too Late, Not Too Soon; Monked; Northern Wind.

ARTICLE: ALBUM REVIEW

Jacob Young/David Rothenberg/Sidiki Camara: They Say Humans Exist

Read "They Say Humans Exist" reviewed by Geno Thackara

"Is it enough to watch a flower grow?" Jacob Young muses over a slow-drifting cloud of clarinet and light percussion. “Is it enough to just be, to mind our own business?" If that sounds too much like coffeehouse open-mic poetry, the natural spirit behind it is genuine enough, and the vague spoken words only pop up ...

ARTICLE: INTERVIEW

Jacob Young: On ECM, founding a label and finding the "drama" in the music

Read "Jacob Young: On ECM, founding a label and finding the "drama" in the music" reviewed by Friedrich Kunzmann

There's a lot to be said about musical excellence in versatility when it comes to guitarist Jacob Young. The Norwegian fret-acrobat came to international prominence in the early 2000s, when ECM's Manfred Eicher detected his remarkable chops and subsequently recorded and released Young's debut Evening Falls (2004) for the prestigious German label. Two more sessions followed ...

ARTICLE: ALBUM REVIEW

Øyvind Braekke: Wilderness

Read "Wilderness" reviewed by Friedrich Kunzmann

Best known for his work with fellow countrymen Trygve Seim, Per Oddvar Johansen and Mats Eilertsen on ECM's The Source (ECM 2006), trombonist Øyvind Braekke belongs among Norway's hidden treasures as far as arrangers and composers go. On Wilderness he displays delicate oversight at arranging six voices so that each instrument conveys a unique purpose. From ...

ARTICLE: YEAR IN REVIEW

Geno Thackara's Best Releases of 2019

Read "Geno Thackara's Best Releases of 2019" reviewed by Geno Thackara

Another year, another wealth of goodies, and as usual it seems unfair to narrow down so many fine offerings to only a dozen favorites. Also as usual, there were a couple late discoveries that would have deserved to be included here last year if I'd known about them at the time. Belated credit goes to the ...

ARTICLE: LIVE REVIEW

Norwegian Road Trip, Part 4: Oslo and an Interview with Jan Erik Kongshaug

Read "Norwegian Road Trip, Part 4: Oslo and an Interview with Jan Erik Kongshaug" reviewed by John Kelman

Author's Note: Jan Erik Kongshaug, owner and recording engineer at Rainbow Studios, Oslo, passed away on November 5, 2019. Beyond his best-known work on hundreds of recordings for the lauded ECM Records label in collaboration with label head/producer Manfred Eicher, Kongshaug's studio and engineering, mixing and mastering work has garnered significant international acclaim. Still, Rainbow continues ...

ARTICLE: ALBUM REVIEW

Siril Malmedal Hauge & Jacob Young: Last Things

Read "Last Things" reviewed by Geno Thackara

Personal, thoughtful, starkly minimal and yet sublimely atmospheric--this is the kind of session that's terribly easy to overlook, but if it tried to grab your attention, that would really defeat the purpose. The appeal of Last Things is in its disarming straight-from- the-heart intimacy. Simple but never simplistic, it offers the aural equivalent of late-night relaxation ...


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