Home » Jazz Articles » Album Review » Barbara Montgomery: Trinity
Barbara Montgomery: Trinity
Equipped with a husky voice (think Benny Carter's alto with lyrics), Montgomery simmers through a set of moody, reflective, and serious pieces. Evoking emotions similar to Branford Marsalis' Eternity, Trinity is more a tone poem than a collection of songs. Each piece deepens the mood; the percolating and rumbling percussion is an underlying backdrop to Montgomery's world-weary stories. "I Fall In Love Too Easily" sets the mood, with little change in spirits from her reading of Van Morrison's "Crazy Love."
The fact that there are two songs by Leonard Cohen speaks volumes. Montgomery's own compositions (along with Aaron Graves') are deep and full of gravitas; her unique timbre and enunciation carries you through and holds your interest for the entire 70-plus minutes. Not many singers could hold your interest that long in one mood. This lady knows her strengths, and she sticks to them. Strike one up for the advantages of motherhood!
Visit Barbara Montgomery on the web.
Track Listing
Alexandra Leaving, Little One, If It's Magic, April 14, Avec Le Temp, 1,000 Kisses Deep, Junkman, She Speaks, Between, Crazy Love, I Fall In Love Too Easily, Trinity.
Personnel
Barbara Montgomery
vocalsBarbara Montgomery, vocals; Aaron Graves, piano,keyboards, percussion, electric bass; Lee Smith, Steve Beskrone or Cliff Kellum, acoustic bass; Mike Boone, electric bass; Wilby Fletcher, Dan Monaghan, Butch Reed or Jimmy Coleman,drums; Marlon Simon, congas; Doc Gibbs, congas/percussion; Ron Jennings or Monette Sudler, electric guitar; Joe Ford, soprano sax; John Swana, flugelhorn,trumpet; Louis Taylor, alto sax; Jay Davidson, baritone sax; Lynn Riley, flute.
Album information
Title: Trinity | Year Released: 2005 | Record Label: Mr. Bean & Bumpy Music
About Barbara Montgomery
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






