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Amanda Gardier: Transmutations: Bjork Rearranged
King's presence helps create a balance between Gardier's chambered and occasional avant-garde treatment of the Icelander's mercurial oeuvre and its pop sensibilities. Two pieces that reflect that approach are "Hyperballad" and "Pluto," presented back-to-back. On "Hyperballad," Gardier's alto captures the singer's yearning, as Ballantine supplies guitar synth layers while Whitman and King provide muscular backbone beats. "Pluto," one of Bjork's more frantic and electronically charged songs, receives an outside-in treatment that juxtaposes abstract, chaotic rhythm support with Gardier's droll, atonal expression bathed in John Coltrane-like arpeggio.
Björk's emotionally intense yet relatively sedate "Unravel" is played fairly on-the-nose, with Gardier double-tracked on sax and flute before a lovely Ballantine solo leads to a give-and-take with Gardier, almost as if the implied emotional partner in that song is now represented. After performing exclusively on alto during her first three albums, Gardier displays a tender touch on flute during "Blissing Me" and on a Latin-touched "Bachelorette," both adorned with sturdy but sensitive bass work from Whitman.
With King's peripatetic style, Ballantine's echoed sheen, and Whitman's stable foundation, on Transmutations Amanda Gardier's bifurcated approach, representing the emotional core while maintaining a respected artistic distance, presents intriguing interpretations of Björk's works.
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Track Listing
Pagan Poetry; Bachelorette; Hyperballad; Pluto; Unravel; Blissing Me; Who Is It? (Carry My Joy On The Left, Carry My Pain On The Right); Virus
Personnel
Album information
Title: Transmutations: Bjork Rearranged | Year Released: 2026 | Record Label: TIDEL
About Amanda Gardier
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