Home » Jazz Articles » Album Review » The Led DeMerle Transfusion: Transfusion One
The Led DeMerle Transfusion: Transfusion One
The play list, composed and/or arranged by members of the group, manages to avoid the rhythmic rut many of those who succumbed to fusion fell into. One outstanding example is where DeMerle reshapes fusion on "Gypsy Rondo". This tune represents multiple merging of genre with Robby Robinson's piano kicking off in a classical vein with Joseph Haydn's music, then moves to straight ahead swing. all the time with DeMerle playing his rat a tat tat drums along side. They are joined by a synthesizer combined with some Barry Coats guitar before returning once more to Haydn. More than any other cut on the CD, this track will keep your attention and entertain you.
The individual members of the group are given lots of opportunity to show off their solo skills. Mark Hatch's trumpet moves out on "Kaballa". "Moon Dial", which comes close to pure Rock, features the throbbing saxophones of Bunk Gardner and Sam Riney. The album's opener "Canned Heat Suite" is just that, hot and waiting to be let loose which happens with a frenzied guitar solo by Barry Coats. Soap opera addicts will recognize Nadia's Theme from "The Young and the Restless".
If you yearn for those days when fusion ruled the world, then this previously unreleased album is for you.
Track Listing
Canned Heat; Nadia's Theme; Kaballa; Night Warblers; Gypsy Rondo; Moon Dial
Personnel
Les DeMerle - Leader/Drummer; Robby Robinson - Piano/Fender Rhodes/ Synthesizer; Rex Robinson - Electric Bass; Mark Hatch - Trumpet/Flugelhorn; Buck Gardner - Alto & Soprano Sax/Flute; Sam Riney - Tenor Sax/Flute; Hush Preston - Baritone Sax/Flute; Barry Coats/Guitar; Lee Pastura - Percussion
Album information
Title: Transfusion One | Year Released: 2001 | Record Label: Hitchcock Media Records
About The Led DeMerle Transfusion
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






