244

Tommy Smith: Torah

John Kelman By

Sign in to view read count
Tommy Smith: Torah Since returning home after schooling at Berklee College of Music, vibraphonist Gary Burton's final ECM quintet and Whiz Kids (1987), and four Blue Note discs as a leader, Tommy Smith has virtually single-handedly placed his native country on the jazz map with his Scottish National Jazz Orchestra (SNJO). He's also become a powerful advocate on the educational/mentoring front, leading the Tommy Smith Youth Jazz Orchestra and, with Exploration (Spartacus, 2007), demonstrating that it's possible to encourage mature performances from a group of up-and-comers. Two Youth Orchestra members are now, in fact, part of the SNJO (saxophonist Bill Fleming and trombonist Michael Owers), and with Torah, Smith has delivered a career high point deserving of as much attention as the sudden proliferation of large ensembles in North America over the past couple years.

Torah isn't a new piece—Smith wrote it in 1999 for American saxophone great Joe Lovano. There's little doubt that Lovano turned in a stellar performance, when the five-part, 63-minute suite debuted in Edinburgh and Glasgow at the turn of the century, but it's perhaps even more appropriate that the composer—who has the most intimate understanding of its nooks and crannies—has now become the featured soloist. As a player, Smith has been delivering consistently over the past decade, on his own albums including the all-star-driven Evolution (ESC, 2003) and cohesive quartet date Forbidden Fruit (Spartacus, 2005), as well with Norwegian bassist Arild Andersen's three year-old working trio, responsible for the powerful 2008 ECM debut, Live at Belleville . But Torah represents Smith's most exhilarating and relentlessly creative playing to date, couched in a sweeping series of compositions that position him as one of modern jazz's most intriguing and compelling large ensemble composers.

Pianist Steve Hamilton—a member of Smith's Forbidden Fruit quartet and an ex-member of drummer Bill Bruford's Earthworks—is the saxophonist's foil on Torah—with less solo space, to be sure, but, along with bassist Calum Gourley and fellow quartet-mate/drummer Alyn Cosker, providing the fire in the engine room that makes Torahsuch a thrilling listen from start to finish. Smith's acute ear for arrangement means that, while he takes plenty of extended solos, contexts galore are taking place beneath, above and around him, making even the 20-minute "Exodus" seem to pass by in a nanosecond. Smith's breathtaking duet with Cosker, on the closing "Deuteronomy," combines dexterity, visceral power and a deep wellspring of ideas, while his opening three-and-a-half-minute a capella solo on "Numbers" demonstrates a breadth of extended techniques, before leading into a quirky blues, his continuing solo punctuated with swelling horn voicings and sharp punctuations.

This may clearly be Smith's show, but it wouldn't succeed as it does without an orchestra of massive talent—not just reading the notes off the charts, but bringing them to vibrant life. Torah is an important record, not just for the limitless Smith, but as unshakable proof that jazz is alive and thriving in the land of celtic music, kilts and tartan.


Track Listing: Genesis; Exodus; Leviticus; Numbers; Deuteronomy.

Personnel: Tommy Smith: tenor saxophone; Steve Hamilton: piano; Calum Gourlay: acoustic bass; Alyn Cosker: drums; Martin Kershaw: saxophones; Paul Towndrow: saxophones; Konrad Wiszniewski: saxophones; Bill Flemming: saxophones; Ryan Quigley: trumpet; Kevin Ferris: trumpet; Cameron Jay: trumpet; Tom Macniven: trumpet; Chris Greive: trombone; Phil O'Malley: trombone; Kevin Garrity: trombone; Michael Owers: trombone.

Year Released: 2010 | Record Label: Spartacus Records


Related Video

Shop

More Articles

Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read Desire & Freedom CD/LP/Track Review Desire & Freedom
by Glenn Astarita
Published: February 19, 2017
Read On Hollywood Boulevard CD/LP/Track Review On Hollywood Boulevard
by Budd Kopman
Published: February 19, 2017
Read The Motorman's Son CD/LP/Track Review The Motorman's Son
by Dan Bilawsky
Published: February 18, 2017
Read "Reciprocity" CD/LP/Track Review Reciprocity
by Dan McClenaghan
Published: August 15, 2016
Read "Lionsong" CD/LP/Track Review Lionsong
by Dan Bilawsky
Published: December 21, 2016
Read "Argonautica" CD/LP/Track Review Argonautica
by Karl Ackermann
Published: August 8, 2016
Read "Bring Joy" CD/LP/Track Review Bring Joy
by Hrayr Attarian
Published: January 4, 2017
Read "Conversations About Not Eating Meat" CD/LP/Track Review Conversations About Not Eating Meat
by Mark Corroto
Published: June 13, 2016
Read "Discoveries on Tracker Action Organs" CD/LP/Track Review Discoveries on Tracker Action Organs
by John Eyles
Published: January 21, 2017

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!