Home » Jazz Articles » Album Review » Tom Harrell: Tom Harrell: Roman Nights
Tom Harrell: Tom Harrell: Roman Nights
On "Let the Children Play," the tenor's serpentine lines are chock-a-block with inventive turns and exhaustively explored motifs as the trumpet's mellow, pure voice seems to imply as much with half the notes. Harrell's compositions range from the pared down melody of "Children" to the lyric beauty of the title track, leavened here and there with odd wrinkles, to the uneasy harmonic shifts of "Study in Sound" and "Harvest Song"'s strangely accessible mix of the foreign with the familiar. Grissett and Okegwo's contributions are considerable, but it is Blake's irrepressible pulse that dominates, elevating each track with deft reactions and all-out drive.
March 31st, 2010's opening set at the Village Vanguard came soon after the CD's release, mirroring many of its features. Opening with "Storm Approaching," Harrell was initially hesitant, but hit his stride by "Obsession," which also featured Escoffery rousing from simmer to boil in short succession. The ultra-funky "Cactus" (not on the CD) was followed by a beautiful flugelhorn-piano duet on the title ballad, Grissett's lush chords supporting the horn's plaintive peal, a mix of tender vulnerability and rosy exuberance. The rhythm section was a sea of bobbing heads and smiling faces while Blake's hard-hitting sticking almost stole the show.
Track Listing
Storm Approaching; Let the Children Play; Roman Nights; Study in Sound; Agua; Obsession; Harvest Song; Bird in Flight; Year of the Ox.
Personnel
Tom Harrell
trumpetTom Harrell: trumpet, flugelhorn; Wayne Escoffery: tenor saxophone; Danny Grissett: piano, Fender Rhodes; Ugonna Okegwo: bass; Johnathan Blake: drums.
Album information
Title: Roman Nights | Year Released: 2010 | Record Label: HighNote Records
About Tom Harrell
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







