Home » Jazz Articles » Album Review » Perceptions Trio: The Wicked Crew
Perceptions Trio: The Wicked Crew
Charley Rose wields the juiced-up sax, Silvan Joray adds neon colorations with his very electric guitar and Paulo Almeida rounds things out in the drummer's chair, forming up, respectively, a French, Swiss and Brazilian ensemble that freshens the jazz trio format considerably with their luminous orchestral approach.
"Radio Goosebumps" opens the set with a dazzling display of tight solos and orchestral comping from both sax and guitar as the trio crafts a new world, something from the future. "Umbarto" is reflective, like a bright multi-colored sunset, the shore of an alien planet doubled up via the mirror effect from the surface of the water. At the same time "Andromeda" exudes an off-kilter majesty and deep mysteries. Drummer Almeida supplies the central force of gravity, guitarist Joray paints the various nebulae and Rose creates the gravitational eddies that form the solar systems, the gas giants, the errant comets.
The Perceptions Trio is innovative and egalitarian. All members contribute strong compositions, and two tunes are group improvisations. The futuristic title tune is one of the improvised pieces. It sizzles and pops, driving forward with an implacable and unpredictable momentum, while "Nebulosa" floats with a stately, steely orchestral grace, wrapping things up by taking the sound out into deep space.
Track Listing
Radio Goose Bumps; Ubarto; Perceptions; Andromeda; The Wicked Crew; Lit Candles; Sombra; Flashlights and Sewers Explorations; Peaceful Departure; Nebulosa.
Personnel
Additional Instrumentation
Charley Rose: instrumental effects; Silvan Joray: instrumental effects.
Album information
Title: The Wicked Crew | Year Released: 2025 | Record Label: Sense Records
About Charley Rose
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







