The University of Northern Iowa Jazz Band One: The Unlikely Event

The multi-faceted concert (everything was recorded live) opens with Ellington's venerable "Rockin' in Rhythm" and includes compositions by Mary Lou Williams ("Messa-Stomp"), Vince Mendoza ("Bossa Antigua"), Chick Corea ("Tones for Joan's Bones"), and Peter Erskine ("Bulgaria," on which he sits in on drums), as well as Merz's elaborate but accessible "Unlikely Event," pianist Vladan Milenkovic's evocative "Balkanicus," the Disney favorite "Someday My Prince Will Come" (tastefully scored by Marty Robinson) and Washut's steamy arrangement of the Afro-Cuban swinger "Cubaneando" (complete with group vocal by the band).

The highlights are many, with special applause for Erskine's remarkable timekeeping on the dynamic "Bulgaria," the spicy Middle Eastern flavors of "Balkanicus," the captivating rhythms of "Cubaneando" and "Prince," the charming tempo variations on "Tones for Joan's Bones," the scrupulous ensemble work on every number, and the faithful solo recreations on "Messa-Stomp" and "Rockin' in Rhythm." Speaking of soloists, soprano Nathaniel Gao is a standout on "Bulgaria," "Event," and "Joan's Bones," and there are cogent statements elsewhere by Milenkovic, trumpeter Caleb Shreves, tenor Jeff Guntren, baritone Austin Zaletel, trombonist Joel Nagel, and three other guests: guitarist Travis Stevick, violinist Peter Llyich and vibraphonist Dave Hagedorn. Drummer Tom Giampietro's robust introduction to "Balkanicus" is another pinnacle.

We are indeed fortunate to have such a large number of impressive college-level jazz ensembles here in the States, and UNI is assuredly among the best of them. As noted, I have ten earlier albums by Jazz Band One in my library, and The Unlikely Event is another keeper that has earned a suitable place on the shelf beside them.

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