Rob Mosher's Storytime: The Tortoise

The opener, "On A Clear Day," in addition to other short pieces on The Tortoise, suggests a Weill-esque playful jazz romp, but equally the lush orchestration owes much to Gil Evans. Mosher's chamber-like arrangements embrace the beautiful storytelling lines of flugelhornist Micah Killion while leaving enough room for other members of the ensemble to explore its theme and shine around him. Mosher follows with the light-hearted Latin-flavored "The Sands Of Maundune," featuring a breezy guitar solo from Nir Felder, while on " Sleepless Lullaby" he offers a beautiful wind arrangement that encompasses a moving duet between bassist Garth Stevenson's arco and Felder's acoustic guitar. "Jupiter" possesses a complex, multi-layered texture that references the modernist post-bop compositions of Shorter, with Mosher's assured playing on soprano sax.

"Twilight" was inspired by a walk in Central Park and features Felder's atmospheric Hawaiian slide guitar, surfing through a graceful and rich arrangement that offers a visual and colorful narrative of that walk. "Silhouette of the Man in the Fog" retains the same visual vein, with a film noir-esque touch and expressive solos from Mosher on English horn and Brian Landrus on baritone sax. "March Of The Elephants" again shows Mosher's masterful and nuanced impressionist chamber wind arrangement, highlighting the clear voices of trombonist Michael Fahie, Sadigursky on flute, Mosher on oboe and Hess on clarinet. "The Forgotten" is a vehicle for Hess' extended tenor sax solo, delivered over the ensemble's detailed performance. "Farewell, Goodbye" is a gentle and beautiful closer to this series of cinematic suites.

Mosher is a gifted composer who offers a fresh and updated approach to the innovations of the Third Stream. His ensemble is a force to be reckoned with, and Mosher intends a follow-up with an extended group that will add banjo, violin, cello tuba and operatic baritone to Storytime's already rich palette.

Comments