If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
Kendrick Scott's debut recording The Source exudes a sense of purpose with music that is carefully orchestrated, coolly executed, and has an appeal that is both contemporary and cerebral. Scott's respect for the art form is cognizant of the greats that have come before him, but clearly personifies his own voice alongside contemporaries like drummers Brian Blade and Eric Harland. He provides more than the element of keeping time by providing contour and feeling into his trap work, as recently witnessed on trumpeter Terence Blanchard's Flow (Blue Note, 2005).
This is music with a new outlook, as Scott's own group Oracle unites young players who are helping to shape today's music, including pianist Robert Glasper, guitarist Lionel Loueke, and saxophonist Seamus Blake. Together under Scott's impressive leadership they breathe life into freshly penned material including a unique version of "107 Steps, by Icelandic singer Bjork.
Both atmospheric and earthy, the music shows Scott's compositional prowess starting with the pensive and swelling "View From Above, featuring a breath-taking solo by guitarist Mike Moreno and a lush sax dialogue between Seamus Blake and Myron Walden that builds in intensity. Scott's drumming is excellent as his percussion flourishes within the music; never overpowering yet always in command. One of the many stand-outs is "Search for Noesis, finding Scott in a duo piece where he artfully improvises alongside a repeated guitar riff that is quite memorable.
Band members, many of which are long time associates, appear on various cuts, bringing their individual giftslike singer Gretchen Parlato's lovely vocals on "Journey, Myron Walden's robust bass clarinet on "Memory's Wavering Echo, and Aaron Parks' touching piano on "View From Above (Reprise).
The hip-hop/neo-soul referenced "VCB might be the only slight misstep with its muddled sound effects but the ending tunes "Psalm and "Retrospect with Scott's illuminating drumming and wonderful contributions from allmake The Source one of this years outstanding releases.
Track Listing: View From Above; Mantra; 107 Steps; Search For Noesis; Journey; VCB; Memory's Wavering Echo; View From Above (reprise); The Source; Psalm; Retrospect.
Personnel: Kendrick Scott: drums, voice (2,9,11); Gretchen Parlato: voice (6); Aaron Parks: piano (1,3,5,8,9,10), Fender Rhodes (2,6,7,11); Robert Glasper: piano (2), Fender Rhodes (9); Lionel Loueke: guitar (2,3); Lage Lund: guitar (6,7,9,10); Mike Moreno: guitar (1,4,5,6,7,11); Walter Smith III: tenor sax (1,5,10); Seamus Blake: tenor sax (1,5,10); Myron Walden: alto sax (1,7), soprano sax (2,3,9), bass clarinet(3,7,11); Derrick Hodge: acoustic bass (1,3,7,9,10), electric bass (2,6,11).
As a songwriter and vocalist, I love jazz for the experience of being in the center of intense creativity. It is the most potent form of music for keeping the artist and the audience in the 'now. Being in the moment is essential for humans, and we need help in learning how to do that. As a songwriter, I need the depth of musicality that jazz voicings can give my stories. My songs seem light and whimsical, but the message is not.
I met my main collaborator, Mark Fitzgibbon, at one of his gigs. I needed to do my first original album, and his playing was masterful, robust, and beautiful. At the time, I didn't realize how suited we were as a team. We're onto our 4rth album together.
My advice to new listeners is to listen to a really clear and simple version of a song so you can then hear what the musicians are doing and enjoy their creativity and musicality. Also, you have to see jazz live to appreciate it fully. You'll never feel it the same way listening to a CD or online. You need the vibration to go through your body to really get it!
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!