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The Morris Nanton Trio: Forty-Eight Years of Musical Rapport
For a full forty-eight years Nanton and Edge have played together, longer than many marriages last. Drummer Jeff Brillinger is the junior member of the Morris Nanton Trio, with a mere twenty-six years of seniority. Such stability is remarkable in the jazz world, where even the most successful working groups are in a constant state of flux.
While Nanton is the leader of the trio, he is a reserved person, preferring to let his music speak for him. Edge, an accomplished musician in both jazz and classical spheres, often functions as spokesperson for the group. "We were like brothers," Edge explains. "Our mothers were interchangeable. My mother loved Morris like another son, and his mother felt the same about me."
Nanton and Edge's well-honed musical rapport in the trio, and sometimes as a duo, are frequently on display throughout New Jersey. The trio currently has a regular gig every second Thursday of the month at Shanghai Jazz, a jazz club featuring Chinese cuisine in Madison, New Jersey. City-centric New Yorkers may feel they too should be loaded for bear, for the trek into New Jersey. However, Madison is easily accessible from Penn Station by commuter train, and Shanghai Jazz is a pleasant three-block walk from the station. Yet, the Morris Nanton Trio's performances remain one of Jersey's best kept secrets.

"We've played long engagements," Edge explained. "When people wanted what we had to offer, they knew where to find us. We were at the Cove (a now defunct club in New Jersey) Twenty-two years. It was the kind of place people could bring their friends and family." And so word spread.
Their fans certainly were not disappointed this night. The trio served up typically tasteful and swinging sets, mixing jazz and pop standards, interpreting them with equal flair. "Willow Weep for Me" particularly showed Nanton's range, from his down-home, bluesy introduction to his rhapsodic solo lines.
Edge also shows tremendous range, soloing arco and pizzicata. Edge has taught and performed cello and violin, as well as bass, but when asked if he would ever experiment with the cello in a jazz setting, he demurs, "I've always found my responsibilities as a bassist are sufficient for me." He does recommend bass players develop their bowing techniques, advising "It gives players flexibility and opens up the palette."
Throughout the set, their focus is strictly music. Nobody introduces the tunes, or tells jokes. In between sets, all three men mix easily with the audience, greeting old friends and new acquaintances.

In the mid-sixties, they moved to Prestige Records, releasing three LPs, all with drummer Al Beldini. Preface yielded their biggest "hit" Ja-Da, which generated a fair amount of radio play for the trio. Something We've Got followed in much the same vein, mixing jazz standards, and a few popular movie themes, all done with their own personal stamp. However, their final Prestige session, Soul Fingers , added Johnny Murray, Jr. on Conga, and featured a guest appearance by Pucho and his Latin Soul Brothers on the opening track "Trouble of the World." While all their LPs are sought after by collectors, the "Pucho effect" gives Soul Fingers an additional boost in the ebay/collectors market.
Sadly, it is unlikely any of these sessions will be reissued on CD anytime soon. Fantasy Records, owners of the Prestige catalog, has rebuffed Nanton's reissue inquiries and has turned down his offer to buy the session masters. You can hear Edge in a rare recorded sideman gig on Fantasy's OJC reissue of Gene Ammons's Bad Bossa. There is also the possibility Shanghai Jazz may release a live CD on their independent label, following up their first release by the Earl May Trio.
At least those in the New York-New Jersey area have the opportunity to hear the trio live. Forty-eight years of musical rapport and experience is worth the trip.
Discuss Morris Nanton's music on the AAJ Bulletin Board.
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