Influential progressive jazz pianist/improviser, Matthew Shipp boasts an extensive discography as a group leader, soloist and in-demand session artiste. During the past three decades he's amassed an immense discography amid his affiliations with like-minded musicians representing the USA and Euro-jazz circuits. On this piano trio date, Shipp exemplifies to a very high degree, his uncanny knack for seamlessly bridging the avant-garde space with modern jazz. Unlike similar experimental or outside motivations by many of his peers, the pianist's muse is not largely shaped with tireless rampages across the eighty-eights. Via his perspicacious insights and penchant for employing harmonious content into the body of his improvised or non- improvised body of work and other facets, the pianist tenders a singular persona.
Shipp leads the trio through works designed with rhythmically based overtures, bop, and a few nods to Thelonious Monk as he eloquently transitions into and out of -tuneful hooks. But he takes the solo piano route on "Stream of Light," highlighting his acute improvisational proclivities, commencing with a staggered engineering process, gradually ascending and intertwining the lower-register with sweeping flurries and profound block chords. He incorporates a dab of Bill Evans' like warmth along with free-form musings and a melodramatic undertow while dynamically shifting the tempo throughout. Here, rolling waves coalesce with hammering accents and other factors, steeped in polytonal beauty and a multidimensional outlook. *File The Conduct of Jazz in the essential listening category.
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz
I was first exposed to Jazz when a couple of dear friends of mine turned me onto it around 1971. I was already into Progressive music, R n' B, Soul, Motown, Latin Rock and other styles that were a great ladder to Jazz.
Being a Musician myself, (Lead Guitar/Bass Guitar), I studied at the Dick Grove School of Music with Dick Grove, Jeff Richman and Lee Ritenour. This was around '84-'85. I started playing the Guitar in November 1967. Playing Guitar came quite naturally to me thank goodness. Though I spent hours upon hours practicing while my school buddies were doing Sports.
It was in the early '70s that I really got into Jazz, Jazz Rock, Jazz Fusion and World Music. Seeing Weather Report, Miles Davis, Wayne Shorter, Larry Carlton, Steely Dan, John McLaughlin and the Mahavishnu Orchestra, RTF, Herbie Hancock and the Headhunters, VSOP, Freddie Hubbard and so many, many more amazing artists opened my eyes to the beauty and eloquent nature of Jazz. I really love the brilliant ensemble playing that is in Jazz!!
When I play and write music, it blends so many style together. Many fans ask me why my playing sounds so jazzy. It's because I understand Blue Notes, the phrasing, the tonality, time signatures and more. I can also play Rock, Folk, Soul, R n' B and other styles too. I seem to gravitate more and more as I get older to a jazzier style. Currently I'm 62 years old. I have released 2 CDs world-wide. Working on my 3rd.
I also teach Guitar/Bass/Music Theory to my students. They range from 6 years old to much, much older. (I was hired by the City of Aurora, CO to teach ages 6-13 specifically). Currently I teach 41 children in 5 classes. Additionally another 7 private students.
My wife, Meesh, and I love Jazz dearly. It was one of the things that we share together!
Most of the people that I know today do not get jazz. I try to explain what to listen for, but many times the music of Jazz is a bit much for them. So be it.
In a nutshell, I live, breath and listen to Music 24/7. No TV except the Food Channel and Weather.
I love John Kelman's articles. They are so insightful and well-constructed!
Thank you all for doing what you do.