Home » Jazz Articles » Multiple Reviews » The Art (de Vivre) of the Trio

1

The Art (de Vivre) of the Trio

By

View read count
Amaury Faye Trio
Clearway
Pias Jazz Village
2017

Following several years of studying and reputation-building in his native France and beyond, Amaury Faye makes an accomplished and overdue step foward with Clearway. It was largely a standards affair on his leader debut Big Moe Trio (Greenworks, 2010). Here the French pianist includes just two semi-obscure cover selections and uses his own songs to bridge them with the more contemporary sounds of the genre. The unspoken theme here revolves around Faye's time in Boston while studying at Berklee, so there's an American streak throughout to complement the sophistication of his European roots.

One can hear a little Keith Jarrett (e.g. the jaunty low-end jitterbugging of "Clearway Street") or a lot of Brad Mehldau in melodic spots such as "Vence," though Faye's restless mind can't help weaving everything into a pattern of his own. The mode is contemporary jazz incorporating touches of classical and bebop, while his interplay with the solid rhythm section is a smooth and subtly accomplished delight to hear. The parts add up to a splashy, playful listen that doesn't need to shatter the mold of the piano trio, but doesn't mind cozily exploring and stretching it.

Maria Baptist Trio (Plus One)
Poems Without Words
Self Produced
2017

France has also left a certain mark on Maria Baptist. Her classically influenced chamber-jazz leanings and big-city swing are influenced by splitting her time between Berlin and New York City, respectively, but it still retains a subtle romantic feel that hints at narrow cobbled streets and sidewalk cafes. Paris is also the place where she first played with drummer John Betsch, and returning to her trio outlet (a mode she alternates with orchestra work and solo piano) made a perfect excuse to rekindle their happy rapport.

Baptist's chemistry with Jan von Klewitz meanwhile had sparked enough ideas to merit officially expanding the group this time around, since this batch of compositions was planned with his saxophone in mind. They're multifaceted and smart enough to be adaptable to a trio, but the club bop of "Beautiful Chaos" or pastoral meditation of "On Top of the Mountain" (also a key point for Fabian Timm's tasteful bass) would certainly feel less distinctly urbane without his fleet horn in the lead. The group swings and cooks at a brisk clip when called for, while Baptist's voice comes out even more distinctly in the slower and calmer moments, with "The Moon Stood Still" as a particularly lovely highlight. Her gliding keys have a subtle underlying exuberance in any mode, and Poems Without Words makes an eloquent showcase for her range of facets while revealing yet another new angle in the process.

Tracks and Personnel

Clearway

Tracks: Believe It or Not; Witchcraft; Bad Surprise; Clearway Street; Off Roading; Sunday Morning Blues; Vence; An Oscar for Treadwell; Journey to the East Coast.

Personnel: Amaury Faye: piano; Louis Navarro: bass; Théo Lanau: drums.

Poems Without Words

Tracks: Illuminate the Night; Apartment #3; Running; The Moon Stood Still; Beautiful Chaos; Things I Wanted to Say; Turn Up the Silence; Hell's Kitchen; On Top of the Mountain.

Personnel: Maria Baptist: piano; Fabian Timm: bass; John Betsch: drums; Jan von Klewitz: sax.

Tags

Comments


PREVIOUS / NEXT




Support All About Jazz

Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

More

Eternal Moments
Yoko Yates
From "The Hellhole"
Marshall Crenshaw
Tramonto
John Taylor

Popular

Old Home/New Home
The Brian Martin Big Band
My Ideal
Sam Dillon
Ecliptic
Shifa شفاء - Rachel Musson, Pat Thomas, Mark Sanders
Lado B Brazilian Project 2
Catina DeLuna & Otmaro Ruíz

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.