Home » Jazz Articles » Album Review » Wally Schnalle: That Place
Wally Schnalle: That Place
Schnalle's 11 original compositions here range from hard funk to almost-free jazz. A few of the tunes put me in mind of the sorely missed Don Pullen/George Adams Quartet, thanks to soaring saxophone work from Charles McNeal and soulful, percussive piano from Jeff Pittson.
All four members of the quartet display formidable technique and distinctive personalities. Here's a case, as in all good bands, where the rhythm section doesn't just back the soloists, but pushes them, presenting original ideas and creating a true group aesthetic. Though he's content to lay back and let his band take center stage most of the time, Schnalle is a serious force on drums. He plays with terrific energy and the kind of controlled abandon needed to propel his hard-driving compositions.
Saxophonist, McNeal, whose previous work I'm not familiar with, is a major talent. He breezes through the stylistically diverse set, on one tune suggesting the breathy ballad playing of Ben Webster; on the next, the freewheeling acrobatics of David Murray.
Retlaw Records, PO Box 112323, Campbell, CA 95011
Track Listing
The Corner; That Place; Tony; You Got We Got; it Could've Been; I Hear You; Patio Talk; it Would've Been; Red & Yellow Sivad; Slomo; Sweet Art
Personnel
Wally Schnalle: drums; Charles McNeal: saxophone; Jeff Pittson, piano; Robb Fisher, bass.
Album information
Title: That Place | Year Released: 1999 | Record Label: Retlaw Records
About Wally Schnalle
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







