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Jeff Pittson

Jeff Pittson represents a dynamic force in the world of jazz having performed with such important figures as Joe Henderson, Ruth Brown, Eddie Henderson, John Handy, Jack Walrath, Mike Clark, Maynard Ferguson, Larry Coryell, Kenny Garrett, and many more. A virtuoso performer on piano and Moog synthesizer, he is also fluent on a wide spectrum of keyboards including Hammond B-3. As a composer, Mr. Pittson wrote and performed on the soundtrack for the documentary film Ann Calvello: Demon of the Derby, making it’s debut at the San Francisco Film Festival in 2000. His classical piano work, The Dietrich Variations, made its debut under the auspices of the Redding Ballet in 2003. Such gifted artists as Billy Childs, Chris Potter, Harvie S and Paul Jackson have performed and recorded his jazz compositions and he has appeared on CD along side of such distinguished artists as Herbie Hancock, Alphonse Mouzon, and Bennie Maupin.

Mr. Pittson has appeared at the Newport Jazz Festivals in New York and Newport, Atlantic City Jazz Festival, Wolftrap, Meadow Brook Music Festival, Ravinia, Winnipeg Folk Festival, Cotati Jazz Festival, Vallejo Jazz Festival, For The Love of Jazz. Concerts in Reno Nevada, The Mike Douglas Show and many others. He has toured extensively throughout the United States, Canada, Sweden, Denmark, Switzerland, Hawaii, and the Caribbean. Recordings with Maynard Ferguson on Columbia Records, “The Funk Stops Here!” with Mike Clark and Paul Jackson on Enja/Tiptoe (4/12 stars in Downbeat, Sept’92), Jim Payne’s New York Funk, Volume 1 on Grammavision. Recent recordings include Paul Jackson’s “Black Octopus” Wally Schnalle’s “The Suit,” Jeff Massanari’s “Groovework,” “Carnival of Soul” by Mike Clark, and “Out of the Hub: The Music of Freddie Hubbard” by Suzanne Pittson.

Active as an educator and adjudicator for festivals, Mr. Pittson was Lecturer in Jazz Piano at Sonoma State University, Instructor in Piano at the Jazzschool (Berkeley, CA.), and also U.C. Berkeley as well as recent teaching at Rutgers University. He is the leader on his own critically acclaimed CD’s Go Where It’s Dangerous, featuring Wally Schnalle and Invisible Love with drummer Brian Melvin and bassist Robb Fischer. Mr. Pittson lives in Dobbs Ferry, NY with his wife Suzanne and son Evan.


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6
Album Review

Suzanne Pittson: Emerge Dancing

Read "Emerge Dancing" reviewed by Nicholas F. Mondello


Emerge Dancing is a fascinatingly intriguing album from New York vocalist (and pianist/composer) Suzanne Pittson and her husband, pianist Jeff Pittson. Primarily a duo album, the pair is joined on a trio of tracks by their son, violist Evan Pittson. Team Pittson has delivered a buffet of jazz, pop, rare-find and well-known standard fare that emerges as 24k performance and production gold. The frequently-recorded John Lennon and Paul McCartney gem “Blackbird" opens this session with the duo ...

189
Album Review

Suzanne Pittson: Out of the Hub: The Music of Freddie Hubbard

Read "Out of the Hub: The Music of Freddie Hubbard" reviewed by Wilbert Sostre


The vocalese and scatting tradition is alive and well in singer Suzanne Pittson. With Out of the Hub: The Music of Freddie Hubbard, Pittson continues to establish herself as one of the best singers on today's jazz scene. Out of the Hub includes tunes written by or associated with trumpet legend Freddie Hubbard, with Pittson writing or co-writing five lyrics, which Hubbard approved just three months before his passing in 2008. To honor Hubbard, Pittson recruited ...

82
Album Review

Wally Schnalle: The Suit

Read "The Suit" reviewed by Stephen Latessa


"The Suit," drummer Wally Schnalle writes in the liner notes to his new album of the same name, “is simply a metaphor for a myriad of musical constraints such as: idiom, genre, common practice, expectations, bag, style, and convention. Each of these, and more, I find can impose severe limitations on creativity. And so the straight jacket (Suit) image. Seeking to avoid such restraints, Schnalle casts the net far and wide both compositionally and instrumentally on The Suit. Historic jazz ...

174
Album Review

Suzanne Pittson: Blues And The Abstract Truth

Read "Blues And The Abstract Truth" reviewed by AAJ Staff


Billy Eckstine once said to an aspiring vocalist “Use your natural chops, never affect an accent that is not your own" and to her credit there is not one iota of affectation in Suzanne Pittson's vocal style. She sings with clarity and never loses the essence of the song with useless histrionics. Pittson's instrument is her voice. No Saxophones, Brasses, Strings or Percussion can duplicate the human voice, it is an entity unto itself capable of twists, turns and innuendo ...

155
Album Review

Wally Schnalle: That Place

Read "That Place" reviewed by Joel Roberts


Drummer Wally Schnalle leads an impressive West Coast ensemble on an album of what could be called “post post-bop." More precisely, it's modern, exploratory jazz that still, generally, retains melody and recognizable form.Schnalle's 11 original compositions here range from hard funk to almost-free jazz. A few of the tunes put me in mind of the sorely missed Don Pullen/George Adams Quartet, thanks to soaring saxophone work from Charles McNeal and soulful, percussive piano from Jeff Pittson.All ...

131
Album Review

Jeff Pittson: Go Where It's Dangerous

Read "Go Where It's Dangerous" reviewed by Joel Roberts


A lot of jazz fans turn right off at the mere mention of electronic effects. So let's get this out of the way: While Jeff Pittson uses a full array of computers, samplers and other electronics to augment his music, this is essentially a piano album. And a pretty good one at that.Pittson's (acoustic) piano is almost always in the foreground on the 10 selections here -- nine originals, plus a tender reading of Nino Rota's “Godfather" theme. ...

108
Album Review

Suzanne Pittson: Resolution: A Remembrance Of John Coltrane

Read "Resolution: A Remembrance Of John Coltrane" reviewed by Jim Santella


Scat singing and original lyrics mark Suzanne Pittson’s second release, which is centered on John Coltrane’s landmark A Love Supreme album. With a piano trio and tenor saxophonist, altering her voice at times as if it were a trumpet, Pittson sings of life and love, the deep feelings we have buried inside, and how the music can help us find our way. From Northern California, the singer holds Bachelor and Master of Music degrees from San Francisco State University, where ...

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Primary Instrument

Piano

Location

New York City

Music

Recordings: As Leader | As Sideperson

Emerge Dancing

Vineland Records
2024

buy

Awake

Vineland
2022

buy

Modern Artifact

Vineland
2021

buy

The Dietrich...

Vineland
2018

buy

Carnival Of Soul

Owl Studios
2010

buy

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