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Wally Schnalle: Idiot Fish

by Tyran Grillo
For his ninth album as leader, and with over 40 years of experience at the kit, drummer-composer Wally Schnalle has pulled out all the stops. Working sound bytes into delicate infusions of soul, jazz, and electronica, Schnalle nourishes an integrated field of sound that at once evokes seventies nostalgia and progressive futurism. Toward achieving this effect, he employs the skills of a prodigious trio of West Coast musicians. Guitarist Hristo Vitchev, bassist Joe Constantini, and keyboardist Frank Martin make for ...
Continue ReadingWally Schnalle’s Debut at the Douglas Beach House in Half Moon Bay California

by Bill Leikam
Wally Schnalle Quartet Douglas Beach House Half Moon Bay, California June 13, 2010 Wally Schnalle and his quartet made its debut at the Douglas Beach House and once underway, everyone in the house knew that a hard hitting jazz-fusion band had arrived. In an appearance celebrating the release of his newest album Out of the Pan (Retlaw, 2010) drummer Schnalle (who also composed, arranged and produced the CD) was joined by Jeff Massanari on ...
Continue ReadingWally Schnalle: The Suit

by Stephen Latessa
"The Suit," drummer Wally Schnalle writes in the liner notes to his new album of the same name, is simply a metaphor for a myriad of musical constraints such as: idiom, genre, common practice, expectations, bag, style, and convention. Each of these, and more, I find can impose severe limitations on creativity. And so the straight jacket (Suit) image. Seeking to avoid such restraints, Schnalle casts the net far and wide both compositionally and instrumentally on The Suit. Historic jazz ...
Continue ReadingWally Schnalle: That Place

by Joel Roberts
Drummer Wally Schnalle leads an impressive West Coast ensemble on an album of what could be called post post-bop." More precisely, it's modern, exploratory jazz that still, generally, retains melody and recognizable form.Schnalle's 11 original compositions here range from hard funk to almost-free jazz. A few of the tunes put me in mind of the sorely missed Don Pullen/George Adams Quartet, thanks to soaring saxophone work from Charles McNeal and soulful, percussive piano from Jeff Pittson.All ...
Continue ReadingJeff Pittson: Go Where It's Dangerous

by Joel Roberts
A lot of jazz fans turn right off at the mere mention of electronic effects. So let's get this out of the way: While Jeff Pittson uses a full array of computers, samplers and other electronics to augment his music, this is essentially a piano album. And a pretty good one at that.Pittson's (acoustic) piano is almost always in the foreground on the 10 selections here -- nine originals, plus a tender reading of Nino Rota's Godfather" theme. ...
Continue ReadingSuzanne Pittson: Resolution: A Remembrance Of John Coltrane

by Jim Santella
Scat singing and original lyrics mark Suzanne Pittson’s second release, which is centered on John Coltrane’s landmark A Love Supreme album. With a piano trio and tenor saxophonist, altering her voice at times as if it were a trumpet, Pittson sings of life and love, the deep feelings we have buried inside, and how the music can help us find our way. From Northern California, the singer holds Bachelor and Master of Music degrees from San Francisco State University, where ...
Continue ReadingDrummer Wally Schnalle Releases "The Suit" on Retlaw Records

Source:
All About Jazz
THE SUIT. What is it? It is simply a metaphor for a myriad of musical constraints such as: idiom, genre, common practice, expectations, bag, style, and convention. Each of these, and more, I find can impose severe limitations on creativity. And so the straight jacket (Suit) image. While there are artists who find comfort in and become very talented at adhering to a certain convention, style or era of music, I find those boundaries frustrating. It's been done already and ...
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