Home » Jazz Articles » Album Review » Tangria Jazz Group: Tangria Jazz Group

Tangria Jazz Group: Tangria Jazz Group

By C. Michael Bailey
January 30, 2008
View read count

Tangria Jazz Group is what happens when the academy gets bored in the classroom and decides to go blow in the studio. The trio's first recording, Songs From Lady Bird was inspired by drummer/percussionist/physical chemist Sheryl Mebane's jazz novel Lady Bird (Pearl Street, 2003). Mebane's Eleven: Tunes for Two (Blastfamous, 2007) featured an abundance of original material and sidemen. The eponymous Tangria Jazz Group brags an abundance of standards with a couple of originals that shows the group maturing.

The group kicks off its third offering with a schizophrenic "Nature Boy." The piece begins as an airy piano solo that organizes itself (at the command of Mebane's informed drumming) into a samba. Justin Hellman plays the acoustic bass, giving the piece a humid and organic sound. Simon Rochester delivers a beautifully conservative piano solo. A mainstream reading of John Carisi's Israel" follows, sporting an obtuse solo from Hellman.

John Coltrane's "Impressions" is given a tasteful treatment by the trio, played slightly upbeat and with an abandon that would have made Trane proud. Joe Henderson's "Isotope" offers a not-often-selected standard for the band to play. Rochester gives an inspired improvisation, as does Hellman. Mebane's drumming is always graceful and never overpowering. She possesses a very sensitive ear for herself and her band mates that helps make the Tangria Jazz Group one of the most viable and important trios performing today.

Track Listing

Nature Boy; Israel; Impressions; Teach Yourself to Live Elsewhere; Isotope; Bamako Love Walk; Black Nile.

Personnel

Tangria Jazz

drums

Simon Rochester: piano, gankogui (1); Justin Hellman: bass; Sheryl Mebane: drums, djembe (7).

Album information

Title: Tangria Jazz Group | Year Released: 2008 | Record Label: Self Produced

PREVIOUS / NEXT

The Door
< Previous

Eliane Elias: Something for Bill (Ev...
Next >

Support All About Jazz

All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who make it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

Go Ad Free!

To maintain our platform while developing new means to foster jazz discovery and connectivity, we need your help. You can become a sustaining member for as little as $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination vastly improves your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.