Results for "Yusef Lateef"

Yusef Lateef

Renaissance man Dr. Yusef Lateef was born William Emanuel Huddleston in Chattanooga, Tennessee on October 9th, 1920. At the age of 5 he moved with his family to Detroit. Growing up in Detroit he came in contact and forged friendships with many a giant of jazz such as Kenny Burrell, Milt Jackson, Tommy Flanagan, Barry Harris, Paul Chambers, and Donald Byrd. By the time he graduated from high school he was a proficient tenor saxophonist. He started soon after graduation playing professionally and touring with different swing orchestras among them those of Hot Lips Page, Roy Eldridge and Lucky Millender. In 1949 he joined Dizzy Gillespie’s orchestra (using the stage name William Evans), and stayed with them for one year

TEST with Roy Campbell: Live at The Hinton House

By MIKE JURKOVIC

More exquisite madness from Brooklyn's barn burning free jazz label 577 Records, home to the free and the brave. This time it's a hard core NY borough blowout recorded live in April 1999 that cantankerously and vividly chronicles the only known performance of the late, free/avant, Harlem/NoBro legend, trumpeterRoy Campbell. Unrestrained, Campbell raises the ...

Gerald Beckett: Mood

By CHRIS M. SLAWECKI

Flautist, bandleader and composer Gerald Beckett picks up on Mood where he left off from 2017's Oblivion (Summit), a stellar collection of songs by Miles Davis, Ellis Marsalis, Astor Piazzolla, Gerry Mulligan and other great jazz composers. Beckett wrote several new originals for his new Mood, including personal remembrances of hometown haunts such as “Club Raven" ...

Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter

By CHRIS MAY

Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.

Places in Space, in Time

By CHRIS M. SLAWECKI

Abraham Inc. Together We Stand Table Pounding Music 2019 “Ever since I formed Klezmer Madness! in the mid 1990's I've been exploring the possibilities of adding funk, jazz, and lately hip-hop influences to klezmer," explains David Krakauer, an expert clarinet voice in jazz, klezmer and classical ...

Atlantic Records: More Giant Steps: An Alternative Top 20 Albums

By CHRIS MAY

Ahmet and Nesuhi Ertegun's Atlantic Records differs in one key respect from Prestige, Riverside, Impulse!, Strata-East and Flying Dutchman, the most prominent labels covered so far in this Building A Jazz Library series. Those labels' discographies consist almost exclusively of jazz. Atlantic had parallel interests in soul and rhythm-and-blues and, later, rock. This had consequences, as ...

Go: Organic Orchestra & Brooklyn Raga Massive: Ragmala: A Garland of Ragas

By ANGELO LEONARDI

Questo magistrale doppio album di Adam Rudolph nasce dalla collaborazione tra la sua Go: Organic Orchestra e il collettivo Brooklyn Raga Massive. Venti appassionanti brani che realizzano il monumento finale (ma certo non conclusivo) della quarantennale attività del percussionista dedita all'incontro tra musiche afro-americane, africane e asiatiche. Anche se Rudolph è considerato uno dei maestri della ...

Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums

By CHRIS MAY

There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...

Prestige Records: An Alternative Top 20 Albums

By CHRIS MAY

Along with Alfred Lion's Blue Note and Orrin Keepnews' Riverside, Bob Weinstock's Prestige was at the top table of independent New York City-based jazz labels from the early 1950s until the mid 1960s. Like those other two labels, Prestige built up a profuse catalogue packed with enduring treasures. Originally a record retailer, Weinstock ...

Riverside Records: An Alternative Top Ten

By CHRIS MAY

From 1953, when it was set up, to 1964, when it was acquired by ABC, Riverside Records rivalled Blue Note and Prestige as one of the leading independent jazz labels based in New York City. The founders of all three labels were jazz fans who operated on slim margins and became producers partly because they enjoyed ...