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Yusef Lateef
Born:
Renaissance man Dr. Yusef Lateef was born William Emanuel Huddleston in Chattanooga, Tennessee on October 9th, 1920. At the age of 5 he moved with his family to Detroit. Growing up in Detroit he came in contact and forged friendships with many a giant of jazz such as Kenny Burrell, Milt Jackson, Tommy Flanagan, Barry Harris, Paul Chambers, and Donald Byrd. By the time he graduated from high school he was a proficient tenor saxophonist. He started soon after graduation playing professionally and touring with different swing orchestras among them those of Hot Lips Page, Roy Eldridge and Lucky Millender. In 1949 he joined Dizzy Gillespie’s orchestra (using the stage name William Evans), and stayed with them for one year
Atlantis Lullaby - The Concert From Avignon
By Yusef Lateef
Label: Elemental Music
Released: 2024
Track listing: CD 1: Inside Atlantis; A Flower; Yusef's Mood; Lowland Lullaby.
CD 2: Eboness; I'm Getting Sentimental Over You; The Untitled.
New Releases From Fred Hersch, Potions, Kendall Carter, And More
by Bob Osborne
On this show we feature new releases from Potions, Kendall Carter, Fred Hersch, Bag of Bones, Matthew McDonald, Melody Graves and the Hokum Redemption, Jérémie Ternoy Ivann Cruz and Peter Orins, Woo, Art Tatum, Yusef Lateef, Sun Ra, Mal Waldron & Steve Lacy, Chet Baker & Jack Sheldon, and Kari van der Kloot. Playlist ...
Yusef Lateef: Atlantis Lullaby - The Concert From Avignon
by Pierre Giroux
Yusef Lateef's performance in Atlantis Lullaby is a masterclass in communication and demonstration of synergy. In this previously unreleased performance recorded in Avignon, France in 1972, Lateef, on soprano sax, tenor sax and flute, is accompanied by Kenny Barron on piano, Bob Cunningham on bass and Albert “Tootie" Heath on drums. This two-CD package is being ...
Albert "Tootie" Heath: Class Personified
by R.J. DeLuke
This article was first published on All About Jazz on March 9, 2015. Albert “Tootie" Heath is among the drummers who lived--and thrived--during what many call the golden age of jazz, the '40s, '50, early '60s. He's enjoyed the fruits of a varied and historic career, but never stayed put. Just kept working. He ...
Record Store Day 2024 Jazz Releases
by Kyle Simpler
Every year, Record Store Day (RSD) promises limited edition vinyl releases for all tastes in music. From the latest popular artists to the most obscure archival releases, RSD drops try to cover a lot of musical territory. Practically all genres of music are represented and, of course, jazz is no exception. Fortunately, the April 2024 drop ...
OJC Bop and Beyond: The Cats and Yusef Lateef
by C. Andrew Hovan
As Craft Recordings continue to mine their vast collection of recordings, their new take on the decades old Original Jazz Classics imprimatur continues to offer up inspired selections worthy of wider recognition. What also sets these reissues apart is superb quality control, with remastering done by Kevin Gray and pristine pressings that in many cases offer ...
The Jazz Detective Strikes Again
by Mark Corroto
Producer Zev Feldman, like Joe DiMaggio, has done it again. In May of 1941, DiMaggio began a major league baseball hitting streak. People followed his exploits game after game and hit after hit. DiMaggio's amazing record of 56 consecutive games still stands to this day. Same can be said of Feldman. His detective work, finding rare ...
Charles Mingus: Charles Mingus Presents Charles Mingus To Pre Bird Revisited
by Chris May
In his liner notes for Charles Mingus Presents Charles Mingus To Pre Bird Revisited, Bill Shoemaker sets out the context in which the two featured albums should be considered. He observes that so enormous was Charles Mingus' artistic vision that no two (or perhaps three) albums can encompass its totality. How true that is, even of ...
Tim Warfield: One For Shirley
by C. Andrew Hovan
Jimmy Smith and Larry Young have continually set the benchmark for creative endeavors involving jazz and the Hammond B-3 organ, Smith being acknowledged for bringing the technical virtuosity of be-bop to the instrument and Young for expanding the vernacular based on the forward-thinking implications of John Coltrane. Somewhere in between these two, a colorful range of ...
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