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Musician

Yuhan Su

In many ways, Yuhan Su represents the voice of the new generation of jazz musicians. Though she is firmly rooted in jazz tradition, her music is innovative, emotional, cerebral and most importantly, always lyrical. Her compositions and improvisations are uniquely hers, marked with an amalgamation of complexity, intensity and emotional resonance. And though she is capable of blistering technique, she always maintains a sense of melodic lyricism and wonder in her playing. "It's been a pretty wild music journey. From learning J.S. Bach, Mozart, Beethoven, Johannes Brahms, Robert Schuman..'s music by playing piano, and getting highly inspired by Ravel, Debussy, Bela Bartok by studying composition, until my percussion study in the university and graduate school, John Cage, Steve Reich, Iannis Xenakis, Keiko Abe, Minoru Miki..

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Article: Radio & Podcasts

Teddy Charles, Yuhan Su, and Katie Bull

Read "Teddy Charles, Yuhan Su, and Katie Bull" reviewed by Jerome Wilson


The first Outer View of 2026 eases into the new year with music from Teddy Charles, Yuhan Su, Katie Bull, Albert Mangelsdorff and others. (I apologize for the verbal glitches in this one.)Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & ...

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Article: Album Review

Yuhan Su: OVER the MOONs

Read "OVER the MOONs" reviewed by Jerome Wilson


It turns out that Patricia Brennan is not the only vibraphonist exploring ambitious concepts these days. On this album, Yuhan Su brings the idea of dual consciousness into music, with the musicians in her group often playing along two separate paths simultaneously. Su was born in Taiwan and is now based in New ...

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Article: Year in Review

Adam Beaudoin's 15 Favorite Albums of 2025

Read "Adam Beaudoin's 15 Favorite Albums of 2025" reviewed by Adam Beaudoin


Year-end lists are a strange creature, as conceptually absurd as they are genuinely useful. They contend to distill a year's worth of recorded music into “the very best," a laughably conceited claim for any one listener or editorial board, no matter how erudite and steeped in the music, to make. For jazz, the situation is even ...

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Article: Year in Review

I Dischi del 2025 secondo Ludovico Granvassu

Read "I Dischi del 2025 secondo Ludovico Granvassu" reviewed by Ludovico Granvassu


Immortalare la bellezza e la varietà del jazz pubblicato nel 2025 attraverso una “top ten" appare tanto arduo, vano--e alla fine deludente--quanto cercare di fotografare un tramonto sulla costiera amalfitana usando una rudimentale fotocamera digitale e facendo un forellino sul copriobiettivo. Certo, una foto verrà scattata. Potrebbe persino dimostrare che eri lì, in quel momento, quando ...

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Article: Year in Review

Ludovico Granvassu's Garden Of Jazzy Delights 2025

Read "Ludovico Granvassu's Garden Of Jazzy Delights 2025" reviewed by Ludovico Granvassu


Capturing the breathtaking beauty, range, and diversity of jazz released in 2025 through a list of “10 best albums" feels as challenging, vain--and ultimately disappointing--as trying to photograph the Grand Canyon at sunset by placing a pinhole in front of a rudimentary digital camera's lens. Sure, a picture will be taken. It might even prove you ...

Album

So We Speak

Label: Sunnyside Records
Released: 2025
Track listing: Margie; This or That; So We Speak; Fly; Nabiya; River Farm; You Get What You Paid For; After All; Silver Lining.

Album

Unseparate

Label: Out Of Your Head Records
Released: 2025
Track listing: Just Intonation Etudes for Big Band: Unseparate 1, Pulse, Timbre, Metaphor; Mist/Missed; Unseparate 2; Microchimera; Unseparate 3; Unseparate 4; Habitual; Spur 7: Metamorphosis.

Album

OVER the MOONs

Label: Endectomorph Music
Released: 2025
Track listing: Pieces Peace; Tomorrow; Two Moons; Roaring Hours; Olfactory Memory; Genius and Dumb; Double Consciousness; Too Much Time Matching Clouds.

Article: Album Review

Webber/Morris Big Band: Unseparate

Read "Unseparate" reviewed by Angelo Leonardi


Le sassofoniste Anna Webber e Angela Morris confermano le innovative concezioni orchestrali dimostrate in Both Are True (Greenleaf Music, 2020), con un disco ancor più avvincente, che s'impone tra i migliori dell'anno. L'organico registra pochissime variazioni (le più significativa sono l'ingresso della pianista Marta Sanchez al posto di Marc Hannaford e le assenze della vibrafonista Patricia ...


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