Results for "Winnipeg"
Pianist Will Bonness has been active on the Winnipeg, Canadian and international jazz scenes for two decades. At 17, Will joined Maynard Ferguson’s Big Bop Nouveau Band for a world tour, which included performances in Europe, Thailand, and the Caribbean. He has performed at many of the major jazz festivals in Canada and the United States, as well as in the world’s most prestigious venues, with such luminaries as Jon Gordon, Avishai Cohen, Quincy Davis, Jimmy Greene, and Derrick Gardner. Locally, he can often be seen performing with the Winnipeg Symphony Orchestra, the Manitoba Chamber Orchestra, and the Winnipeg Jazz Orchestra. Will’s performance career has led him to spend substantial time in New York City, where he has played at the Blue Note, Smalls, and Dizzy’s
Candice Tugby is a Jazz musician, composer, arranger, and educator from Winnipeg, Manitoba, Canada Candice graduated with a Bachelor of Jazz (Trumpet) Degree from the University of Manitoba's Desautels Faculty of Music's Jazz Studies Program where she has had the opportunity to study with Derrick Gardner, Steve Kirby, Quincy Davis, Jon Gordon, Larry Roy, Will Bonness, and Anna-Lisa Kirby. She has performed at local venues such as the Lyric Theatre, CCFM, The Berney Theatre, Sam's Place, Joe Black's Coffee Shop, Resto Gare, The King's Head Pub, The Orbit Room, and The Palm Lounge where she has had the opportunity to perform with many talented local and international musicians. More recently, Candice played in New York City at several different venues including with the Anna-Lisa Kirby quintet at Small's Jazz Club and Vince Giordano and the Nighthawks at The Iguana. Candice is in the process of creating content for an album to be released in the near future.
When Sony Music recording engineer Mark Wilder (Herbie Hancock, Pat Metheny, Miles Davis) returned the final mastered version of All Over The Map, he said this: “By the way, Steve Kirby IS A BADASS. Every once in awhile a project comes in that just blows me away. This was the 2016 project. It is an amazing record on so many levels. It moved me.” Led by composer and jazz bassist Steve Kirby, the Oceanic Jazz Orchestra is a hybrid jazz-classical ensemble, with instruments like bassoon, oboe, pedal steel, and classical violin folded in alongside vibes, trumpet, saxophone, flute, and vocals
Curtis Nowosad is a Winnipeg drummer and a recent graduate of the Jazz Studies degree program at the University of Manitoba, mentoring with master drummers Terreon Gully and Quincy Davis, and internationally-recognized jazz bassist and Director of Jazz Studies, Steve Kirby. He has already performed in club and concert settings nationally and in New York City with such world-class jazz musicians as Stefon Harris, Miguel Zenón, George Colligan, Anthony Wonsey, Dave Douglas, and Steve Wilson. A versatile musician, Curtis has also performed with smooth jazz artists Dave Koz, Jeff Lorber, Carol Welsman, Nick Colionne, Four80East, and Brian Hughes, country artists Chad Brownlee and Ali Fontaine, and hip hop groups Alfa and Magnum KI
The Winnipeg Jazz Orchestra (WJO) is Canada’s first community-based, non-profit professional jazz orchestra; its equal can be found in only a handful of North American cities. Dr. Richard Gillis and Sasha Boychouk founded the WJO in 1997, inspired by a vision of forming a professional big band with the best emerging and veteran musicians in Winnipeg. Gillis and Boychouk were the right people at the right time, but the WJO also owes its roots to the collective efforts of many passionate stakeholders including the musicians, board members, volunteers and administrators who sensed a potential audience that was not being served
Having strummed since grade six on his grandfather’s old guitar, Price landed his first gigs at age fifteen. First influenced by pop, punk and heavy metal, Price discovered jazz music through the intensity and spirituality of John Coltrane. At age 19, Price began his formal studies at the Conservatory of Amsterdam. Upon his return to Winnipeg, Price turned down a scholarship at New School University in New York City and opted instead to stay in Steve Kirby’s newly established jazz program at the University of Manitoba. He has also studied in Boston with renewed guitar guru Mick Goodrick. Over the last four years Price has played professionally with numerous groups including the Ron Paley Big Band, the Winnipeg Jazz Orchestra, and Manitoba Artists in Health Care
Jazz pianist, trombonist, and composer/arranger, JEFF PRESSLAFF, has become a mainstay of the Winnipeg jazz scene since moving from New York in 1997. Born in Manhattan, educated at Princeton and Wesleyan Universities, he has had a varied career working with many distinguished jazz and avant- garde musicians, including Benny Carter, Bill Barron, Ed Blackwell, Roswell Rudd, Sheila Jordan, Howard Levy, Stanley Jordan, George Garzone, Steve Nelson, Edgar Meyer, Sim Cain and many others. Jeff is also a teacher of great distinction, having served on the faculties of Princeton University, Bard College, Union College, and several others
I am a top call saxophonist in Winnipeg Manitoba Canada, presently developing a national presence following the release of my debut CD, She's Hip. I play all saxophones, specialize in mainstream and hard bop jazz (my heart is firmly in the middle of the last century!) and am a Selmer artist. I also play flute and clarinet and maintain a busy freelance performance schedule. I am also active as an educator and adjudicator. A recent career highlight was sharing the concert stage in a quintet setting with jazz great Clark Terry. My fans have voted me TOP SAX for three years running and I appear frequently as a guest artist with the Winnipeg Symphony Orchestra
by Dan Bilawsky
While it may be tempting to simply call Dialectics a straight-ahead session, Kevin Sun's liner notes set the record straight: According to Sun, neo-hard bop" is a more accurate term for this music. What's most important to note, however, is that the music is pretty irresistible, regardless of what you call it. On ...
by Glenn Astarita
With its sixth album and second release for Moonjune Records, this Canadian outfit once again imparts a steadfast approach to the modern rock idiom. Drawing influences from a boundless array of genres such as psychedelia, '70s progressive rock, space rock and offbeat inferences to pop-rock, the unit at times demonstrates an unrelenting wall of sound. Featuring ...