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Rachael Cohen: Halftime

by Bruce Lindsay
The Shetland Islands, way up north off the coast of Scotland, have a long and noble history of producing fine folk and roots musicians. They've never really garnered plaudits for their jazzers, but that might be about to change. The islands were home to saxophonist Rachael Cohen for the first dozen years of her life and ...
Assembly Line

Album: Some Other Time
By Nick Vayenas
Label: Whirlwind Recordings
Released: 2013
Duration: 7:58
John Escreet: Sabotage and Celebration

by Mark Corroto
The music of composer and pianist John Escreet is a profound discovery. Each of his releases has been a revelation and an opportunity to scrutinize a major talent in the midst of his creative process. Not satisfied to work within 'the jazz tradition,' he assimilates multiple styles and musical models into his compositions. Drawing from 20th ...
John Escreet: Sabotage and Celebration

by Andrew Luhn
Since his move to New York in 2006, English-born pianist John Escreet has achieved widespread recognition for his adventurous compositions and his seemingly restless creativity. On Sabotage and Celebration, Escreet augments an already formidable quintet with strings, brass, guitar, and vocals, making it his most ambitious and creative work yet. Escreet composed most ...
Patrick Cornelius: Infinite Blue

by Edward Blanco
Veteran New York saxophonist and composer Patrick Cornelius delivers his fourth album as leader with Infinite Blue, a gem of a recording that sparkles with an A-list of players interpreting eight new originals and one cover tune in one audacious session of music. Not really an unusual feat for this three-time winner of the ASCAP Young ...
Jeff Williams: The Listener

by C. Michael Bailey
It may be a poor-man's explanation, but here it goes: bebop begat hard bop begat the freer post-bop. Free jazz emerged among them. What next? Jeff Williams' The Listener. The greater freedom of post bop compared to its predecessor is given more freedom, but not so much that the music descends into the ravenous particles of ...
John O'Gallagher: The Anton Webern Project

by C. Michael Bailey
Here's to avant-garde jazz. Unruly and ill-behaved, the seeds planted by saxophonists Ornette Coleman and John Coltrane, and carried forward by reed multi-instrumentalist Anthony Braxton and melded with trumpeter Miles Davis's Post-bop, gave rise to a brand of jazz that, while not the complete chaos of free jazz, nevertheless possessed such an inventive spirit that begged ...
Jeff Williams: The Listener

by Dan Bilawsky
Drummer Jeff Williams spent the first part of his career building a name for himself as a supporting player, laying down the rhythmic law for Lookout Farm and serving as sideman to the jazz stars, but these days he's making waves as a leader. He turned plenty of heads with Another Time (Whirlwind Recordings Ltd., 2011), ...
Dave Hamblett: Light At Night

by Bruce Lindsay
Anyone wishing to explore the wealth of talent to be found among the UK jazz scene's up-and-coming musicians can cheerfully begin here. Light At Night, the debut from drummer Dave Hamblett, features six of the finest of these young players. The album is impressively consistent, with Hamblett's thoughtful compositions drawing some fine performances from the drummer ...
Robert Mitchell: The Glimpse

by Bruce Lindsay
Pianist Robert Mitchell offers insight into a very particular musical place on The Glimpse: the world of solo, left hand only piano. The left hand: the hand responsible for the rhythm, the hand that keeps the beat, that lies in thrall to the melodic, excitable and exciting right hand. Why on earth would anyone want to ...