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February 50th Anniversary Blue Notes & More
by Marc Cohn
This week on Gift & Messages we mark 50th anniversary of Blue Note releases from February 1970 by flautist Jeremy Steig (Wayfaring Stranger with Eddie Gomez on bass), McCoy Tyner (Extensions with Wayne Shorter, Gary Bartz and Alice Coltrane), and Duke Pearson (I Don't Care Who Knows It), as well as BN-18 from Edmond Hall with ...
Results for pages tagged "Wayne Shorter"...
Wayne Shorter
Born:
Born in Newark, New Jersey on August 25, 1933, Wayne Shorter had his first great jazz epiphany as a teenager: “I remember seeing Lester Young when I was 15 years old. It was a Norman Granz Jazz at the Philharmonic show in Newark and he was late coming to the theater. Me and a couple of other guys were waiting out front of the Adams Theater and when he finally did show up, he had the pork pie hat and everything. So then we were trying to figure out how to get into the theater from the fire escape around the back. We eventually got into the mezzanine and saw that whole show — Stan Kenton and Dizzy Gillespie bands together on stage doing ‘Peanut Vendor,’ Charlie Parker with strings doing ‘Laura’ and stuff like that. And Russell Jacquet…Ilinois Jacquet. He was there doing his thing. That whole scene impressed me so much that I just decided, ‘Hey, man, let me get a clarinet.’ So I got one when I was 16, and that’s when I started music.
Massimo Biolcati: Incontre
by Friedrich Kunzmann
Massimo Biolcati is somewhat of a quiet giant. This is revealed not only by the elegant way in which he handles his double bass but is furthermore expressed by his humble personality on-stage as well as off. So much for the quiet aspect. Why a giant? Raised in Italy and Sweden, Biolcati graduated from both the ...
Tales of The Mystic Order of the Jazz Obsessed - Jazz Societies, Part II
by Karl Ackermann
Part 1 | Part 2 Jazz Societies, Part 1 briefly traced the preservation and interpretation of jazz from the oral history of its West African roots through academic and cultural institutions. The article included an overview of jazz societies and foundations that further the fostering of jazz education. The organizations vary in scope, size ...
Scott Kinsey: On speaking Luniwaz with an accent
by Friedrich Kunzmann
Scott Kinsey belongs among the most influential keyboard players of the past decades and seems capable of adapting to any style of music. Unlike those who came before him, Kinsey was born into the golden era of keyboards and synthesizers, when visionaries such as Chick Corea and Herbie Hancock had already begun to explore the vast ...
Kendrick Scott: Making Walls into Bridges
by Rob Garratt
Kendrick Scott authored one of the most compelling jazz releases of last year with A Wall Becomes a Bridge (Blue Note, 2019), a nuanced meditation on identity, history and prejudice, shepherded under the direction of producer and former band mate Derrick Hodge. Pairing gorgeous, searching improvisatory canvases with break beat interludes and samples from guest DJ ...
School of Trane - Wayne Shorter, Archie Shepp, Charles Lloyd, Pharoah Sanders (1964 - 1969)
by Russell Perry
No tenor player cast a larger shadow over the 1960's than John Coltrane. Arguably, that time frame could be expanded to include all decades since, as well. Several contemporary tenor players who emerged as singular and important voices in the 1960s were specifically in his debt: his friend and colleague -Wayne Shorter, his protégé —Archie Shepp, ...
Ralph Peterson: Listen Up!
by Jack Bowers
As on its debut album, I Remember Bu, drummer / educator Ralph Peterson's Gen-Next Big Band, composed for the most part of students at Boston's Berklee College of Music, pays tribute on Listen Up! to one of Peterson's mentors, the late great Art Blakey, known far and wide as the longtime leader and sparkplug of the ...
Sam Newbould Quintet: Blencathra
by Jack Bowers
Blencathra, the debut album from British-born, Amsterdam-based saxophonist Sam Newbould's quintet, presents half a dozen of the leader's forward-leaning compositions and arrangements whose general point of view may be subdued, at times veering toward melancholy, but is never less than engaging. One of Newbould's strengths, even when the music is leisurely and pensive, lies in his ...
Adam Berenson: Every Beginning Is A Sequel
by Karl Ackermann
Pianist/keyboardist/composer Adam Berenson--across more than twenty recordings--offers incontrovertible evidence that talent surpasses an affinity for category. He is equally at home with jazz, electronica, blues, or a string quartet. On his previous , fully-acoustic album, Stringent and Sempiternal (Dream Works, 2019) Berenson went in an unusual direction (for him), covering works of Miles Davis, Bud Powell, ...
