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287

Article: Album Review

Larry Johnson: Circles

Read "Circles" reviewed by Nicholas F. Mondello

by Nicholas F. Mondello

Circles are infinitely symbolic in their geometric design and interpretation--no beginning and no end, directionally ambiguous, enclosing an extended infinite inner dimensional space. In Circles, his first CD as a leader, tenor saxophonist Larry Johnson steps up to deliver a dozen fine selections displaying that he's definitely no musical square. He sounds as if he knows ...

220

Article: Album Review

Wellstone Conspiracy: Motives

Read "Motives" reviewed by Dan McClenaghan

by Dan McClenaghan

This ensemble might have been labeled the Brent Jensen Quartet. They recorded One More Mile under the Idaho-based saxophonist's name. For their album Motives, however, they are calling themselves the Wellstone Conspiracy as they delve deeper into a melodic music that is steeped in the modern harmonic concepts of Herbie Hancock and Wayne Shorter. The set ...

227

Article: Album Review

Tom Harrell: Roman Nights

Read "Roman Nights" reviewed by Robert Dugan

by Robert Dugan

Since signing with the HighNote label in 2006, Tom Harrell has released the most significant CDs in his three decades-plus of recording. It's no coincidence that, for this same period, he has been leading a true dream band of younger players. His previous output for RCA was of the highest quality, particularly Paradise (2001), a unique ...

315

Article: Take Five With...

Take Five with Erik Telford

Read "Take Five with Erik Telford" reviewed by AAJ Staff

by AAJ Staff

Meet Erik Telford: A native of Pacific Grove (CA), Telford has performed as a sideman or leader at the Monterey, Montreux, North Sea, Melbourne, and Yokohama Honmoku jazz festivals. He's shared the stage with Bill Berry, George Bohannan, Maria Schneider, Joshua Redman, James Williams, Jon Faddis, Wynton Marsalis, and Louie Bellson, among other artists. Telford currently ...

701

Article: Extended Analysis

ART-i-Facts: Great Performances from 40 Years of Jazz at NEC

Read "ART-i-Facts: Great Performances from 40 Years of Jazz at NEC" reviewed by Raul d'Gama Rose

by Raul d'Gama Rose

Various Artists ART-i-Facts: Great Performances from 40 Years of Jazz at NEC New England Conservatory 2010 For almost 150 years the New England Conservatory has been a repository of learning for musicians from around the world. The institution has maintained a fine sense of history and 40 years ago began ...

1,382

Article: Interview

Ralph Lalama: Steppin' Out, Steppin' Forward

Read "Ralph Lalama: Steppin' Out, Steppin' Forward" reviewed by R.J. DeLuke

by R.J. DeLuke

Ralph Lalama's rich tenor saxophone voice has been heard for years on the New York City scene, perhaps most notably with the Vanguard Jazz Orchestra and its predecessors, first led by Thad Jones and Mel Lewis, and later by just Lewis. He's a guy who grew up when rock music was fully bursting on the American ...

424

Article: Album Review

Tom Harrell: Roman Nights

Read "Roman Nights" reviewed by John Kelman

by John Kelman

Since coming back from hiatus following the superb Wise Children (Bluebird, 2003), Tom Harrell's been on a roll. On a new label (HighNote) and with a new working quartet, the trumpeter has gone from success to success, from the undeniably fine Light On (2007), to the even better Prana Dance (2009). Whether Roman Dances is even ...

320

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by Dan Bilawsky

by Dan Bilawsky

Finding musical parallels to David Binney's work is not always an easy task. As a composer, he has managed to create a distinctive sound, yet no single quality can properly define his work. Binney wears his influences on his sleeve throughout Aliso, choosing to touch on the work of Wayne Shorter, Sam Rivers, Thelonious Monk and ...

381

Article: Album Review

David Binney: Aliso

Read "Aliso" reviewed by John Kelman

by John Kelman

In a career now in its third decade, alto saxophonist David Binney's greatest accomplishment, despite being a player of no small worth, has been as a composer whose often knottily idiosyncratic tunes manage to remain not just accessible, but deeply compelling. From the earliest days of Lost Tribe through to last year's outstanding Third Occasion, Binney's ...

1,430

Article: Interview

Jeremy Pelt: A Man of Honor

Read "Jeremy Pelt: A Man of Honor" reviewed by Esther Berlanga-Ryan

by Esther Berlanga-Ryan

For the younger generation of jazz musicians, those in their thirties today, the path is not always as smooth and easy as we may think it is. Nobody likes to live in anybody's shadow. Jazz is populated with giants who left their mark and those who look up to them in order to be able to ...


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