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Seattle's Live Music Business Model is Broken
Drummer Tarik Abouzied has a post on his website entitled, “Seattle’s Live Music Business Model is Broken,” which he says, “is about informing the live music audience of the realities behind putting on these shows and what I see as an unsustainable situation, and trying to move past the usual finger-pointing and complaining so we can ...
Hardcoretet: Do It Live
by Dan Bilawsky
The opening minute of Do It Live seems like a bait-and-switch scenario; with a band name like Hardcoretet, wit and power would seem to be requisite ingredients in the group's work, but only sunshine and rainbows appear at first. Fortunately, these sounds are merely a gateway into the music of this Seattle-based foursome. As this opening ...
Akua Allrich at the Howard Theater
by Franz A. Matzner
Local star Akua Allrich continued her rapid rise this month performing music from her latest album Uniquely Standard (Self Produced, 2012) at the historic Howard Theater on Washington, DC's U Street.An accomplished vocalist whose vibrant performances and inviting stage presence have built a loyal following and propelled her to the forefront of Washington, DC's ...
Please Help Julian Priester
Julian Priester, the well-known trombonist who has, in a career now well into its sixth decade, played with everyone from Duke Ellington, Max Roach, Dinah Washington and Booker Little to Herbie Hancock, Sun Ra, Freddie Hubbard, Eric Dolphy and John Coltrane —not to mention a small but superb discography as a leader that includes Love, Love ...
WA: Cross The Center
by Dave Wayne
On its surface, Cross The Center may seem like a guitar/drums free jazz freakout. This perplexingly named group from the Pacific Northwest, like their homies Dylan Carlson, SUNN)))000, and The Melvins, proves convincingly that it is possible to freak out with great intelligence, wit and skill. Sure, the electric guitars of Simon Henneman and C. J. ...
Neil Welch: Twelve Tiny Explosions
by Bruce Lindsay
It's good when an album title tells it like it is. Twelve Tiny Explosions is Seattle tenor saxophonist Neil Welch's third solo saxophone album and consists of a dozen tunes, each of which can be described as an “explosion." Welch's technical ability on his instrument of choice, sheer power and inventive musicality combine to create a ...
Jon Hamar: Hymn
by Hrayr Attarian
Seattle bassist Jon Hamar's third release as a leader is an intimate and collaborative effort. The textured harmonies with hints of western Classical influences that are heard on his prior CDs have further matured on Hymn, thanks, in no small part, to his choice of sidemen. Reed multi-instrumentalist Todd DelGiudice (a past collaborator ...
Inbar Fridman: Time Quartet Project
by Dan McClenaghan
In a quartet that includes both guitar and piano, a certain symbiosis between the players is necessary for the success of the sound. Israeli guitarist Inbar Fridman has established that relationship of musical symbiosis with pianist Camelia Ben Naceur, part of a trio Fridman calls the “French mob" that also includes bassist Laurent Chavoit and drummer ...
Jon Sheckler's Debut Album, "Cable Street"
As the first jazz record released by the Seattle based company, Critical Sun Recordings, “Cable Street" is a bold, fresh and energynic take on jazz in today's world. Featuring nine original compositions from award-winning drummer and composer Jon Sheckler, “Cable Street" covers the full spectrum of the modern jazz world, from the hard swinging pop-bop “Same ...
Bill Frisell: Live Download Series #14-17
by John Kelman
DS#001-013 | DS#014-017 In a previous All About Jazz article, the first thirteen installments of guitarist Bill Frisell's remarkable Live Download Series were reviewed. Beginning in 2009, Frisell and Songline/Tonefield Productions began making available high quality, download-only (but in formats including 320K MP3 and lossless FLAC) live performances dating as far back as 1989, ...
