Results for "Warren Smith"
Warren Smith is an American jazz percussionist, known as a contributor to Max Roach's M'boom ensemble and leader of the Composer's Workshop Ensemble Smith was born in Chicago, Illinois, into a musical family; his father played saxophone and clarinet with Noble Sissle and Jimmy Noone, and his mother was a harpist and pianist. He studied clarinet under his father from age four. He graduated from the University of Illinois in 1957, then took a master's in percussion at the Manhattan School of Music in 1958. One of his earliest major recording dates was with Miles Davis as a vibraphonist in 1957
Label: New World Records
Track listing: CD 1The Boyé Multi-National Crusade for Harmony I: Dear Friend; Zuli; Band Introduction; At Harmony; Air Rings; Dimples: The Fat Lady on Parade.
CD 2The Julius Hemphill/Abdul Wadud Duo: Syntax; Tightenin’; Slang; Unknown Title; Rhapsody; Downstairs.
CD 3The Janus Company: Opener; #4; #3; Collective Improvisation; Dogon A.D.
CD 4Chamber Music: Parchment (1988); Mingus Gold (1988); Nostalgia in Times Square; Alice’s Wonderland; Better Get Hit in Your Soul; Daedalus String Quartet: Unknown Title No. 1 (1981); Unknown Title No. 2 (1981).
CD 5Roi Boyé Solo and Text: Trills; Unfiltered Dreams; Wade in the Water; Change My Clothes.
CD 6The Boyé Multi-National Crusade for Harmony II: K.C. Line; Testament #5; Song Suite: At Harmony; Sixty/Sixty; Astrid; Mailika; Pull It; Rites; Pigskin; For Billie (for Billie Holiday); One/Waltz/Time.
CD 7Live at Joyous Lake: Mirrors; Dung; Band Introduction; Would Boogie.
by Stefano Merighi
Che trionfo per Julius Hemphill! A dispetto delle poche pagine--o righe--che le recenti storie del jazz dedicano al maestro di Fort Worth, Hemphill emerge da questo cofanetto di inediti come sassofonista-improvvisatore-compositore tra i più profondi della musica afroamericana nei decenni compresi tra gli anni '70 e '90. E questa preziosa edizione non solo ...
by Mark Corroto
There is something inherently objectionable when a billionaire acquires an artistic masterpiece by say, Leonardo DaVinci or Claude Monet, only to sequester it from public view. You might feel the same about Julius Hemphill's recordings Dogon A.D. (Mbari, 1972) and 'Coon Bid'ness (Arista/Freedom, 1975). Both five star recordings, now out of print, cost a small fortune ...
by John Pietaro
It would be a fool's errand in a covid-damaged society to attempt a peaceably gathered year's end Best of" list, in jazz or any other genre or medium. But artists of jazz and all avant gardes have been especially susceptible to the considerable financial ebbing and health concerns of this period. Discussing this concept with my ...
by Giuseppe Segala
È giusto ricordare un gigante come David S. Ware. La quantità di energia e poesia che egli convoglia nella propria musica e nel suono poderoso del sax tenore (e stritch) lo accomuna a grandi come Sonny Rollins, John Coltrane, Albert Ayler. L'etichetta AUM Fidelity lo ricorda con merito nella collana a lui appositamente dedicata, denominata DSW-ARC ...
by John Sharpe
It's not everyone who gets to be name-checked in the title of an album by Sun Ra, but Chicago-native Vincent Chancey inhabits a select club thanks to Taking A Chance On Chances (Saturn, 1977), (mis-)named after an improvised duet between his French horn and Ra's piano. As well as the Arkestra, Chancey's French horn has also ...
by Chris May
Operating on minimum finance and maximum passion, Brooklyn's Strata-East label was a pivotal platform for the spiritual-jazz movement that emerged during the Civil Rights struggle of the 1970s. Its closest contemporary comparator was Chicago's Association for the Advancement of Creative Musicians. Both were non-profit organisations. The AACM was non-profit by design. With Strata-East, co-founder Charles Tolliver ...