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Mark Turner: Ballad Session
by Mark Corroto
When I was a young man, my father would describe a particular jazz recording as being “sexy.” To a testosterone-enriched lad, Stan Getz’s music wasn’t exactly what I would call sexy. As one ages, what one finds sensual becomes more cerebral. Tenor saxophonist Mark Turner’s offering of ten ballads is that grown-up kind of sexy. This ...
Pat Metheny: Trio 99>00
by John Sharpe
Every so often Pat Metheny dispenses with the synths, brass and wordless vocals and gets back to basics. Invariably, this minimalist approach yields a top-notch jazz recording. Such is the case with Trio 99>00. Working with bassist Larry Grenadier and fiery drummer Bill Stewart, Metheny steps forward and demonstrates that he still has the chops to ...
Pat Metheny: Trio 99-00
by C. Andrew Hovan
There's really no surefire way to avoid all the hyperbole when discussing the exploits of the multi-faceted Pat Metheny. He is a genuine musician in all sense of the word, capable of distinguishing himself in everything he does, from soundtracks to avant-garde jazz. That he also happens to hit on a judicious mix that finds him ...
Mark Turner: Ballad Session
by Mark Corroto
When I was a young man, my father would describe a particular jazz recording as being “sexy.” To a testosterone-enriched lad, Stan Getz’s music wasn’t exactly what I would call sexy. As one ages, what one finds sensual becomes more cerebral. Tenor saxophonist Mark Turner’s offering of ten ballads is that grown-up kind of sexy. This ...
Mark Turner: Ballad Session
by David Adler
This collection is beautiful, but it offers a fairly limited view of Mark Turner’s staggering talents. Of course, hearing him, guitarist Kurt Rosenwinkel, and pianist Kevin Hays play ballads is a great pleasure. Sensitive support from bassist Larry Grenadier and drummer Brian Blade only makes it better. But the all-ballad format seems a little constrained, especially ...
Brad Mehldau: Art Of The Trio 4: Back At The Vanguard
by John Sharpe
In the liner notes for this fourth installment of Mehldau's Art Of The Trio series, Brad takes issue with the fact that many critics have compared his trio with that of Bill Evans. Well, critics are always looking for stylistic references to hang their hats on and I happened to agree with reviewers when they made ...
Brad Mehldau: Elegiac Cycle; Art of the Trio 4: Back at the Vanguard
by David Adler
Some jazz musicians warn against excessive talk and analysis, insisting that the music be allowed to speak for itself. Brad Mehldau does not belong to this school of thought. Reading his self-authored, exhaustive (exhausting?) liner notes to both these albums, a critic might be tempted to throw up his hands and conclude that nothing more can ...





