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Article: Album Review

Tadd Dameron: Fontainebleau & Magic Touch Revisited

Read "Fontainebleau & Magic Touch Revisited" reviewed by Maurizio Zerbo

by Maurizio Zerbo

Le linee guida di Fontainebleau e Magic Touch, i due capolavori di Tadd Dameron qui riuniti in un solo CD, furono teorizzate dal pianista di Cleveland sulle pagine della rivista Record Changer, in cui descrisse come la sua adesione all'estetica del bebop fosse mediata dalla classica scrittura swing. Le forme multitematiche ABA e i ...

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Article: Album Review

Billy Hart: Just

Read "Just" reviewed by Jack Kenny

by Jack Kenny

"Just" is an elegant album calculated to please. More than any earlier releases on ECM, it is Billy Hart's album, The quartet has been working together for over twenty years and has rightly morphed from a collective to the one steered by Hart. The drummer has supplied his sinewy rhythmic mastery to albums across the years ...

1

Article: Radio & Podcasts

Saxophones: Warne Marsh, Sonny Rollins, and the Microscopic Septet

Read "Saxophones: Warne Marsh, Sonny Rollins, and the Microscopic Septet" reviewed by Jerome Wilson

by Jerome Wilson

This show, from June 15, 2021, is an all saxophone (plus flute and clarinet) program. Players featured include Warne Marsh, Sonny Rollins, Frank Wright, Joe Henderson, and The Microscopic Septet. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) ...

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Article: Album Review

Benjamin Lackner: Spindrift

Read "Spindrift" reviewed by Jack Kenny

by Jack Kenny

Benjamin Lackner has a vision and his album is a coherent statement of his ideas: a radical statement of lyricism, gentleness, restraint and understatement. It was a long-time dream. For some time, Benjamin Lackner has had a wish to record with ECM. In an interview, he outlined his attempts to produce music that would ...

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Article: Album Review

Ornette Coleman: Free Jazz To Ornette! Revisited

Read "Free Jazz To Ornette! Revisited" reviewed by John Eyles

by John Eyles

For ezz-thetics' revisited series' fourth Ornette Coleman album, the label has ventured back further than any of its previous Coleman albums, to New York City in December 1960 and January 1961. Recorded at A&R Studios on Wednesday December 21st 1960 from 8pm to 12.30am, the Free Jazz session produced two pieces, the thirty-seven minute “Free Jazz" ...

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Article: Album Review

Gregorio / Smith / Bryerton: The Cold Arrow

Read "The Cold Arrow" reviewed by Mark Corroto

by Mark Corroto

Maybe the surprise release of 2021 was the trio recording Room Of The Present (Fundacja Słuchaj!). Adventurous bassist Damon Smith and percussionist Jerome Bryerton have had a long working relationship as a duo, in various groups and settings, large and small. Adding the clarinetist and composer Guillermo Gregorio was quite the revelation. The trio is back ...

1

Article: Radio & Podcasts

Chris Potter, Lee Konitz, Ben Patterson and Stephen Phillip Harvey

Read "Chris Potter, Lee Konitz, Ben Patterson and Stephen Phillip Harvey" reviewed by Joe Dimino

by Joe Dimino

We begin the 855th Episode of Neon Jazz with composer Stephen Phillip Harvey and the title track from his live album Elemental. From there, we feature new music from Win Pongsakorn, Meg Okra, Ben Patterson and Andrea Wolper. We also hear from the late Ron Miles and music from a decade-old live concert in Colorado. We ...

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Article: Album Review

Ism: Maua

Read "Maua" reviewed by John Sharpe

by John Sharpe

What would a free jazz group sound like if it stayed within conventional rhythmic and melodic parameters? One possible answer was given by pianist Lennie Tristano's pioneering sides such as “Intuition" and “Digression," extemporized by a sextet including Lee Konitz and Warne Marsh. Ism, the cosmopolitan threesome of British pianist Pat Thomas, Swedish bassist Joel Grip ...

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Article: Bailey's Bundles

Late-Period Art Pepper Box Sets

Read "Late-Period Art Pepper Box Sets" reviewed by C. Michael Bailey

by C. Michael Bailey

In his essay, “Endgame," which opens the liner notes to Art Pepper: The Complete Galaxy Recordings (Galaxy, 1989), music critic Gary Giddens said of Art Pepper's professional comeback: “Pepper's sudden reappearance in 1975 was something of a second coming in musical circles. For the next seven years, his frequent recordings and tours, and ...

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Article: Live Review

Cosimo Boni Quintet al Brillante di Firenze

Read "Cosimo Boni Quintet al Brillante di Firenze" reviewed by Neri Pollastri

by Neri Pollastri

Cosimo Boni Move On Brillante--Nuovo Teatro Lippi Firenze 25.2.2024 Trombettista toscano trentatreenne, a lungo negli U.S.A. per ragioni di studio e ritrovatosi di nuovo in patria a seguito della pandemia, Cosimo Boni è da poco uscito con il suo primo disco a proprio nome, May Be--Unable to Return, pensato ...


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