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About Warne Marsh
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Warne Marsh
Born:
Marsh came from an affluent background: his father was the cinematographer Oliver T. Marsh (1892-1941), and his mother Elizabeth was a violinist. Mae Marsh, the actress, was his aunt. He was tutored by Lennie Tristano, and along with Lee Konitz became one of the pre-eminent saxophonists of the Tristano- inspired "Cool School". He was often recorded in the company of other Cool School musicians, and remained one of the most faithful to the Tristano philosophy of improvisation, the faith in the purity of the long line, the avoidance of licks and emotional chain-pulling, the concentration on endlessly mining the same small body of jazz standards
Revolutionary Aesthetics: Exploring Warne Marsh's Overthrow of Sweet Georgia Brown
by Daniel Casares
Saxophonist Warne Marsh was a revolutionary and somewhat obscure figure in the development of jazz in the 20th century. He was, along with Lee Konitz, one of the most influential saxophonists to emerge from pianist Lennie Tristano's “school" of jazz improvisation, although Marsh never achieved the commercial success and recognition that Konitz amassed over the years. ...
The Joshua Breakstone Quartet: Wonderful!
by Pierre Giroux
Joshua Breakstone's Wonderful! arrives on CD nearly four decades after its original release. It is a reminder that truly good jazz never worries about expiration dates. Although the original recording came early in his career, Breakstone hardly sounds like a guitarist searching for his voice. The ideas are already in place. Thoughtful, swinging, and melodic, the ...
Walter Smith III: Twio Vol. 2
by Jack Kenny
Walter Smith III is a deceptive musician. His deep jazz roots and distinctive tenor saxophone tone mask a technique that is both complex and understated. Smith rewards attentive listeners; his mastery lies in refinement rather than display. One of the pleasures of following Smith's career is hearing him change. Though no longer a young ...
Tom Gershwin: Wellspring
by Jack Bowers
On Wellspring, the fourth album under his name, Vermont-based trumpeter Tom Gershwin resumes his anomalous musical journey, pursuing a path that is for the most part low-key and serene but seldom less than interesting. In so doing, Gershwin wrests the most support he can from every member of his able quintet to unravel eight ...
Ted Brown Quartet: Just You Just Me
by Jack Kenny
Ted Brown's 2013 album, recorded at various locations in New York and New Jersey, is steeped in the traditions of both Lester Young and Lennie Tristano, but what emerges is distinctly his own. Born in 1927, Brown channels the inspirations of these jazz giants, yet asserts his own individuality in every phrase. The ghostly presences of ...
Dan Weiss, David Kikoski, and Enrique Haneine
by Jerome Wilson
This program covers a wide range of sounds. There is new music from drummers Dan Weiss and Enrique Haneine as well as older work from Duke Ellington, Ralph Towner, Dave Douglas, David Kikoski and others. (Note: on the selection “Trouble," I transposed the names of the group and album when I spoke.)Playlist Henry Threadgill ...
Mid Century Modern Jazz
by David Brown
This week, the show kicks off with recent releases form Anat Fort, Matthew Shipp and Sumi Tonooka We then jump back to the 1950s for some mid-century modern recordings from Benny Golson, Gerry Mulligan, Roy and Diz, Louis Armstrong, Al Haig, Milt Jackson, June Christy The Four Brothers, Dorothy Donegan, The Joe Newman Octet, Terry Gibbs, ...
Ornette Coleman's and Horace Silver's "Lonely Woman" — A Disambiguation
by Artur Moral
Reality is filled with confusion and misunderstandings; some are suggestive or creative, while others are disappointing or, worse, malicious. The jazz world is no stranger to the first type: specific compositions are often confused or misidentified as if they were the same. Usually, this happens because of similar melodies or titles that are sometimes identical. This ...
Daniel Casares: From a Cabin in the Woods
by Daniel Casares
The Autonomous Region of Galicia, Spain has been slowly nurturing a strong jazz scene in recent decades. The extremely accomplished Abe Rábade (piano) and Paco Charlín (bass) crossed the Atlantic Ocean over two decades ago to study at the prestigious Berklee College Of Music in Boston. Upon their return to Galicia they established the “Seminario Permanente ...
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