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1,398

Article: Interview

Harris Eisenstadt: From Mbalax to Canada Day

Read "Harris Eisenstadt: From Mbalax to Canada Day" reviewed by Clifford Allen


Over the past decade, drummer, bandleader and composer Harris Eisenstadt has been a force in improvised music, active in both Los Angeles and New York (where he now resides). It's a testament to his creativity and energy that his ensembles have run the gamut from free-bop in the vein of post-Blue Note small groups, to orchestral ...

606

Article: Album Review

Tyshawn Sorey: Koan

Read "Koan" reviewed by Mark Corroto


Who would have thought that it would be a drummer to finally, and successfully bridge the worlds of jazz, minimalism, and improvisation? But, it is indeed Tyshawn Sorey, maybe known best for his work with the almost always frenetic players Vijay Iyer and Steve Lehman in the band Fieldwork, or through gigs with Dave Douglas, Steve ...

396

Article: Multiple Reviews

Jack DeJohnette: Music We Are & America

Read "Jack DeJohnette: Music We Are & America" reviewed by Jeff Stockton


Jack DeJohnette/John Patitucci/Danilo Perez Music We Are Kindred Rhythm 2009 Jack DeJohnette/Wadada Leo Smith America Tzadik 2009 It's been a while since Jack DeJohnette made ...

302

Article: Album Review

Alexander Hawkins Ensemble: No Now Is So...

Read "No Now Is So..." reviewed by John Sharpe


Both the enigmatic title and Red Planet sleeve photography of this debut recording by Alexander Hawkins' six-piece ensemble suggest something out of the ordinary. The feeling is confirmed by a glance at the distinctive instrumentation, which pitches the strings of cellist Hannah Marshall, guitarist Otto Fischer and bassist Dominic Lash against the percussion of Javier Carmona ...

229

Article: Album Review

Warren Smith: Old News Borrowed Blues

Read "Old News Borrowed Blues" reviewed by Jerry D'Souza


Warren Smith (drums, vibraphone, percussion) does not have a deep discography as a leader, and so any recording by him is most welcome. All the music on this CD has been performed live but never released, and the wait makes hearing it all the sweeter. Though his work as leader has been thin, Smith ...

316

Article: Album Review

Alexander Hawkins Ensemble: No Now Is So

Read "No Now Is So" reviewed by John Eyles


Pianist Alexander Hawkins is one of the brightest rising young stars of British jazz and improvisation, amply demonstrated by his work in Barkingside, the Convergence Quartet, and the Evan Parker Quartet. Hawkins has technique in abundance and a brain quick enough to make creative use of it. With no obvious stylistic antecedents, he excels in a ...

711

Article: Profile

Wadada Leo Smith

Read "Wadada Leo Smith" reviewed by Marc Medwin


“Since 2007, I see America changing, becoming not a divided multi-cultural society, but a pluralistic cultural society where everybody has a chance. Creative music announced the change in the '60s, but the music had been democratic since New Orleans, with its collective improvisation., where the collective had value and every individual had equal value. This is ...

156

News: Award / Grant

JJA's 13th Annual Jazz Awards - Join Us!

JJA's 13th Annual Jazz Awards - Join Us!

Mark your calendar! 13th Annual JJA Jazz Awards June 16, 2009 3:00-6:00pm at The Jazz Standard 116 E. 27th Street New York, NY Join us at the JJA's 13th Annual Jazz Awards as we... Announce our 2009 award winners (see nominees below) Honor winners and nominees ...

442

Article: Album Review

Wadada Leo Smith / Jack DeJohnette: America

Read "America" reviewed by Troy Collins


Originally proposed to ECM Records in 1979, the collaboration of trumpeter Wadada Leo Smith and drummer Jack DeJohnette has finally found new life in America. Recorded last year in Bill Laswell's New Jersey studio (but without his heavy-handed production aesthetic), this unadorned acoustic session documents two of the world's most versatile and virtuosic improvisers working through ...

1,021

Article: Music and the Creative Spirit

Marilyn Crispell: Uncompromising Power and Grace

Read "Marilyn Crispell: Uncompromising Power and Grace" reviewed by Lloyd N. Peterson Jr.


Her notes crash like waves at sea on a stormy winter's night; they gently float and slowly fall like early morning mist; yet it's the silence--the silence between the notes--which provides the haunting poetic beauty that is the music of pianist Marilyn Crispell.Lloyd Peterson: Is there a decrease in listeners for creative music today?


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