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Bria Skonberg: So is the Day
by Nicholas F. Mondello
It's a rare talent that can straddle--and dare request membership in--the trumpet artist continuum emanating from Louis Armstrong and progressing down through his “Neo Orleans" progeny: Byron Stripling, Wynton Marsalis and Nicholas Payton (whose big band trumpet section Skonberg graces). However, with her bravura performance on So is the Day, Bria Skonberg confirms that she is ...
Wynton Marsalis Performs The Ballad of the American Arts in Philadelphia Honoring Jazz Appreciation Month, April 3
Tickets on Sale Now! The Kimmel Center kicks off Jazz Appreciation Month with a special program, The Ballad of the American Arts, featuring Wynton Marsalis with members of the Jazz at Lincoln Center Orchestra in Verizon Hall on April 3, 2012 at 7:30pm. Jazz master Marsalis honors America's premier indigenous art form with a moving lecture ...
Wynton Marsalis: Newark, Delaware, November 2, 2011
by Eugene Holley, Jr.
Wynton Marsalis: The Ballad of the American ArtsBob Carpenter CenterUniversity of DelawareNewark, DelawareNovember 2, 2011 A Wynton Marsalis gig is not particularly news. But his appearance at the Bob Carpenter Center was truly newsworthy, as evidenced by the appreciative, near-capacity crowd who came out to hear his stirring ...
Wynton Marsalis: All Rise
by C. Michael Bailey
Originally released in 2002 as a stand-alone offering, Wynton Marsalis' sacred composition All Rise will enjoy a reprising as part of Legacy Records re-issuing of Marsalis' landmark collection, Swingin' Into The 21st. A devotee of Duke Ellington, Marsalis expands on themes and methods that Ellington himself investigated in his Sacred Concerts of 1965, 1968, and 1973 ...
Wynton Marsalis & Eric Clapton Play the Blues; In Theaters Sept 7; CD+DVD Sept 13
New York City's premier jazz venue got the blues last April when Wynton Marsalis and Eric Clapton performed together in Rose Theater at Frederick P. Rose Hall, home of Jazz at Lincoln Center for two sold-out shows dedicated to vintage blues. The extraordinary collaboration, billed as Wynton Marsalis & Eric Clapton Play the Blues, paired these ...
Wynton Marsalis & Eric Clapton Play The Blues - Live From Jazz At Lincoln Center
Reprise Records Presents Highlights From The Duo's Unprecedented, Sold-Out Jazz at Lincoln Center Performances; Also Features Special Guest Appearance By Taj Mahal Available September 13 On CD And CD/DVD LOS ANGELES—New York City's premier jazz venue got the blues last April when Wynton Marsalis and Eric Clapton performed together in Rose Theater at Frederick P. Rose ...
Music Company RS Berkeley Donates A Full Orchestra Of Musical Instruments To Cuban Music Students
New York, NY—In a major announcement last week, Les Silver, President and CEO of RS Berkeley Musical Instruments, pledged that the company will donate all the brand-new, acoustic instruments needed to completely outfit a student orchestra at the Amadeo Roldán Academy of Music in Havana, Cuba's premier academy of music. The New Jersey company will contribute ...
Delfeayo Marsalis: Sweet Thunder
by Raul d'Gama Rose
Was Delfeayo Marsalis undertaking a task too challenging when he recorded music from one of Duke Ellington's most beloved albums to make Sweet Thunder? Gunther Schuller offers a doctrine that seems to suggest this has been so. Apparently the size and composition of the ensemble lead to this mishap. Would it have been remiss, to replicate ...
Jazz at Lincoln Center Orchestra: Toronto, February 1, 2011
by Alain Londes
Jazz at Lincoln Center OrchestraMassey HallToronto, CanadaFebruary 1, 2011 If big band fans relish their enjoyment of musical artistry, then the 15-piece Jazz at Lincoln Center Orchestra (JLCO) would have to be on their shortlist. The venerable Massey Hall was appropriately sold out for this performance of the current Vitoria Suite ...
Paquito D'Rivera: Jazz at the Heart
by R.J. DeLuke
There is almost nothing Paquito D'Rivera hasn't accomplished since his arrival on the U.S. jazz scene in the early 1980s, when the young Cuban arrived from Spain--the first spot he hid when he defected from his home nation and its Communist rule that denied personal freedoms and forced musicians playing jazz to call it something else ...
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