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Veronica Nunn
Born:
"When you looked at an album cover in the old days," Veronica explains, "it told a story. The album cover and the title kind of prepped you for what you were about to experience, and I always felt that a jazz album isn't just the music that is played - it's the whole package. When you pull out that CD, it should be like a storybook. The cover and the album title kind of whet your appetite, and when you hear the songs, it takes you through an experience. It should all be an experience." Like her previous release, American Lullaby (which focused on jazz interpretations of lullaby-like melodies), Standard Delivery is very thematic (its dominant theme being a jazz vocalist's relationship with time-honored standards)
Michael Mayo, Mary Stallings, Kurt Elling and More
by Jua Howard
Welcome Music Family! It's time for another episode of the “First Instrument Jazz Show"! As usual, I've got a great show in store for you including a lot of new music from Kurt Elling, Michael Mayo, Jocelyn Gould, Sachal Vasandani, and Samara Joy; and plenty more timeless music from artists such as Mary Stallings, Laurie Antonioli, ...
American Lullaby
Label: Dead Horse
Released: 2002
Track listing: Medley: American Lullaby/Not While I'm Around; Don't Be Blue; This Joy; I Loves You Porgy; Living Room; You Know You're in Love; Green Finch & Linnet Bird; The Meaning of the Blues; On a Wonderful Day Like Today; It Might as Well Be Spring
Veronica Nunn: American Lullaby
by Dave Nathan
When all is said and done, what makes a vocalist a pleasure to listen to is whether she/he stays with the pitch, has good diction so lyrics aren't muffled and has a reasonably attractive voice. Veronica Nunn gets an “A+" for diction, “A" for voice, but for pitch, her grades range from C to B+. On ...
