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Iron Blossom Festival 2025: Jazzy Enough?
by Konstantin N. Rega
Iron Blossom Festival Midtown Green Richmond, VA September 20-21, 2025 A quick look at Richmond's relatively new Iron Blossom Festival lineup might give some jazz fans pause. With headliners like Vampire Weekend and The Lumineers, the festival looks to be serving up more indie pop-rock selections for younger audiences to consume. ...
LateNights With Brad Schrader - Bringing Back Cocktails, Cole Porter And Classy Evenings!
Album LateNights I make it my goal to carry the torch of the American Songbook to a new and younger audience, to keep this great music alive among us. For LateNights we wanted to bring an easy, night-out-with-a-cocktail vibe to our listeners—something we try to bring to our live shows. We bring a cross-section of standards—and ...
Donny McCaslin: From Stadium Jazz To Lost Lullabies
by Lawrence Peryer
Today, the Spotlight shines on saxophonist Donny McCaslin. Donny's new album, Lullaby for the Lost (Edition Records), is out now, and what a record it is. It's Donny's saxophone with guitar-driven rock energy, drawing from influences like Neil Young and Nine Inch Nails, resulting in what Donny calls his most personal music to date. ...
Announcing Smoke Jazz Club's Line-up Of Shows In November 2025 Including The Billy Hart Quartet’s New Album Celebration, Pianists Joey Alexander And Bill Charlap, And More
Hailed as the “#1 Jazz Club in New York City (SecretNYC),” SMOKE Jazz Club today announced its concert schedule for November 2025. The NEA Jazz Master Billy Hart celebrates his Quartet’s first live recording Multidirectional in a three-night album release celebration during Thanksgiving weekend. Across consecutive weeks, SMOKE presents two highly regarded pianists spanning the spectrum ...
Carmen Staaf: Monk's Mood
by John Chacona
There is an iconic image in Charlotte Zwerin's 1988 documentary film Thelonious Monk: Straight, No Chaser that shows Monk, cigarette in hand, silently contemplating a misty Manhattan skyline. As heard on her recording Sounding Line (Sunnyside Records, 2025), Carmen Staaf's arrangement of “Monk's Mood" that begins with Dylan Vado's spectral bowed vibes perfectly captures ...
Kandace Springs’ ‘Lady in Satin’ out now on SRP Records
Lady in Satin is the fifth album by Kandace Springs, an esteemed jazz vocalist hailing from Music City: Nashville, Tennessee. A luminous tribute to Billie Holiday, the 12-song collection is reverent, luxurious, tasteful reimagining of Lady Day’s classic 1958 album of the same name. Therein, the singer is backed by the 60-piece Portuguese ensemble Orquestra Clássica ...
Brian Urra: A Beacon Of Chilean Jazz On The World Stage
Acclaimed violinist and composer Brian Urra is poised to take center stage Chile’s UNESCO-supported Jazz por la Paz festival, and a landmark Futura Studio recording, underscoring his standing as a leading figure in crossover jazz. With a career spanning 25 years and awards that include the prestigious Ravinia Bridges Composition Prize, Urra has become a central ...
Sarah Hanahan Quartet At Joe Henderson Lab
by Steven Roby
Sarah Hanahan Quartet Joe Henderson Lab / SFJAZZ Center San Francisco, CA September 20, 2025 A knockout. No hedging, no warmup lap--impact from the first bar and the room knew it. Sold-out first set at the Joe Henderson Lab--Sarah Hanahan's SFJAZZ debut. Outside, faces pressed close to the glass, ...
Aseem Suri: Architect Of Sonic Environments In The Language Of Jazz
In the layered world of New York’s creative vanguard, there are few who move as seamlessly between the exactitude of engineering and the intuition of artistry as Aseem Suri. Wherever Suri finds himself—be it a leading museum, a legendary concert hall, a city park transformed by technology, or a campaign activation for a renowned global brand—he ...
Ron Carter's Foursight Quartet at Miner Auditorium
by Steven Roby
Ron Carter's Foursight Quartet Miner Auditorium / SFJAZZ CenterSan Francisco, CA September 19, 2025 After a 50-minute opener with no introductions, Ron Carter took the microphone, smiled, and deadpanned, “Thank you and goodnight." A beat later: “I am boss of the microphone." He waved his cuffs toward the band to take ...
