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Results for "Two for the Show Media"
Boris Kozlov: Double Standard
by Dan Bilawsky
Selling a solo bass disc--both artistically and commercially speaking--is no easy feat. The demanding physical aspects of such a project, requiring a bassist to have the endurance to sustain perpetual motion and interest on such a behemoth of an instrument, is one problem. Another issue is general marketability. The average jazz fan might be quite happy ...
Negroni's Trio: Just Three
by Ernest Barteldes
On its fifth release, the Miami-based Latin jazz trio led by Puerto Rican-born pianist Jose Negroni continues to explore its various influences, which go from straight-ahead to Caribbean beats, with classically-inspired moments. The disc opens with the rumba-inflected Fingers," a fast-paced tune that features Negroni on electric piano. The chemistry between the bandleader and his gifted ...
Drummer Cindy Blackman and Her Band, Another Lifetime, Have Upcoming Dates at Blues Alley in Washington, DC and (le) Poisson Rouge in NYC
Beginning this week, virtuoso jazz-rock drummer Cindy Blackman will perform a string of East coast dates with her band, Another Lifetime. The itinerary kicks off with four nights of showsThursday, November 4 through Saturday, November 7at Blues Alley in Washington, DC. Next up, Blackman and her band will perform on Wednesday, November 10 at (Le) Poisson ...
Scott Feiner: Accents
by Dan Bilawsky
While drummer-leaders don't usually get enough credit, pandeiro-leaders usually don't exist. The pandeiro--a small, handheld instrument that marries that best traits of a deeper-sounding, jingle-less frame drum and a tambourine--is a staple of Brazilian percussion. When Scott Feiner first encountered the instrument, during his first trip to Brazil in 1999, he immediately took to it. In ...
Andy Farber and his Orchestra: This Could Be The Start Of Something Big
by Dan Bilawsky
Whatever happened to big bands that swing? While the big bands of yesteryear provided music for dancing and a healthy appreciation for swinging soloists and hip arrangements, that isn't the case today. Many of the most popular--and critically acclaimed--large ensembles in modern times are winning fans with highbrow conceptualism and compositions that, as brilliant as they ...
Colin Dean: Shiwasu
by Woodrow Wilkins
"It's so relaxing," says the person introduced to a type of jazz found to be pleasing, palatable--and inoffensive. The challenge for an artist is to create ambient music that can be accepted by those unfamiliar with jazz, without putting others to sleep. Acoustic bassist Colin Dean makes it happen with Shiwasu. Dean was born ...
Peter Erskine / Bob Mintzer / Darek Oles / Alan Pasqua: Standards 2, Movie Music
by John Kelman
Sometimes, the most powerful statements are those delivered directly: gentle, yet forceful in their complete commitment, and without the trappings of excess.With the sudden, unexpected passing in 2008 of Dave Carpenter--the talented and busy West Coast bassist who had played with everyone from Buddy Rich, Maynard Ferguson and Woody Herman to Scott Henderson, Allan ...
Andy Farber and His Orchestra: This Could Be The Start Of Something Big
by Bruce Lindsay
The sight and sound of one of the classic big bands in full flight must have been something to behold. For those fans of big band jazz who never got to experience such a thing, as well as for those who did and remember it fondly, Andy Farber And His Orchestra bring the sound back with ...
Luis Bonilla: Twilight
by Dan Bilawsky
I Talking Now! (Planet Arts, 2009) presented a brazen bonanza of trombone playing from Luis Bonilla. That high energy outing--filled with intense, outspoken instrumental wonders--contained great music that was, to some extent, one-sided in the way that it portrayed Bonilla and his quintet. Twilight, on the other hand, is a well-balanced feast for ...
Dave Frank: Portrait Of New York
by Bruce Lindsay
Twelve tunes inspired by or dedicated to the city of New York come together to form Portrait Of New York, only the fourth album by ex-Berklee Professor Dave Frank in a career as a musician and educator that stretches back to the '80s. Why Frank's recorded ouvre should be so brief is something of a mystery, ...


