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Jack Cooper: Mists - Charles Ives for Jazz Orchestra
by C. Michael Bailey
American composer Charles Ives (1874-1954) was an arts iconoclast in the vein of his contemporary poet Wallace Stevens (1879-1955). Both men were successful business executives who profoundly changed American art as an avocation. Ive's music brimmed with an Americana that sounds slightly sepia-toned today, but that has not prevented it's subjugation as subject for jazz interpretation, ...
Diva: A Swingin' Life
by Edward Blanco
What do you get when you have fifteen talented and swinging female jazz musicians in an orchestral setting? The answer, drummer Sherrie Maricle and the DIVA Jazz Orchestra offering A Swingin' Life as proof that hard-charging big band music is not the exclusivity of the male gender. Building upon the work of more than a dozen ...
Eric Harland's Voyager at The Highline Ballroom
by Dan Bilawsky
Eric Harland's Voyager Highline Ballroom Vipassana CD Release New York, NY September 2, 2014 The CD release show for Vipassana (GSI Records, 2014)--the sophomore album from drummer Eric Harland's Voyager--didn't play out like a typical club set or concert; it was more like a spiritual journey through songs, segues, and ...
Simon Phillips: Protocol II
by Dan Bilawsky
Protocol II arrives fourteen years after drummer Simon Phillips' last leader date--the hard bop and post-bop based Vantage Point (Jazzline Records, 2000). And it comes approximately a quarter century after the original Protocol (Music for Nations, 1988)--a true solo date that had Phillips covering all the instruments, filling in the space around his calling-card drumming.
Paul Marinaro: Without A Song
by Edward Blanco
There are tribute albums and then, there are musical homages that have far more personal meaning for an artist then dedications to other musicians. Such is the case for Chicago-based singer Paul Marinaro whose debut album Without A Song is a heartfelt tip of the hat to his 85-year old father Joseph, whose unfulfilled dreams of ...
Eric Harland's Voyager: Vipassana
by Dan Bilawsky
Much is said about records once they've come into the world, but little is discussed about the motive(s) surrounding the birthing of a record. Sometimes it's simply about marketing, exposure, money, and pure narcissism. There's nothing necessarily wrong with that on some level(s), and many classic albums have been made with little to nothing else in ...
Steve Wilson/Lewis Nash: Duologue
by Dan Bilawsky
Saxophone and drum duos aren't as rare as some might believe, but a good percentage of such encounters are challenging, left-leaning affairs. John Coltrane's edgy encounters with Rashied Ali on Interstellar Space (Impulse!, 1974) emboldened many in the so-called avant-garde to marry these instruments time and again over the ensuing decades, yet few centrists seem as ...
Brandee Younger 4tet: Live At The Breeding Ground
by Dan Bilawsky
While a list of currently operating notables on nearly any given instrument could fill anywhere from a chapter to a book or two, a rundown of head-turning active jazz harpists might only fill out a very small portion of a leaflet. The most important among them--Latin jazz trailblazer Edmar Castaneda, refined role model Carol Robbins, and ...
Andrew Rathbun: Numbers & Letters
by Dan McClenaghan
Toronto-born saxophonist/composer Andrew Rathbun is no stranger to pushing the boundaries. He has released a dozen superb modernistic CDs under his own name, perhaps most notable of these his nod to his fellow Canadian, writer Margaret Atwood, Sculptures (Blue Moon, 2002), and 2009's and Where We Are Now (Steeplechase Records). Rathbun, on all of his previous ...
Itamar Borochov Quartet: Outset
by Dan Bilawsky
Israeli trumpeter Itamar Borochov landed on U.S. soil in 2006, eager and ready to start studying at the New School for Jazz and Contemporary Music. Now, eight years later, he's stepping out with his aptly-titled debut--Outset. While this marks Borochov's maiden voyage as a leader, he's already received some well-deserved attention for his ...
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