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Steve Gadd: Consummate Drummer
by R.J. DeLuke
It might be easier to list who drummer Steve Gadd hasn't played with since he got a pair of drum sticks at the age of three at his home near Rochester, NY, right up to the age of 70, where this year his tour of duty includes Eric Clapton, James Taylor and his own band. Gadd ...
Simon Phillips: Protocol 3
by Dave Wayne
A professional musician from the age of 12, Simon Phillips' drumming sound and style is instantly recognizable. He's toured and recorded with just about every major rock and pop act imaginable; from Mick Jagger, The Who and Toto to Judas Priest, Mike Oldfield, and Joe Satriani. Also an uber-session player, he's recorded countless jazz, fusion and ...
Dafnis Prieto Sextet: Triangles and Circles
by Dave Wayne
The thing that sets Latin jazz apart from other forms of jazz is that it's fundamentally a music for dance. The artists who create this music are expected to move gracefully back and forth between the worlds of jazz and salsa, sometimes in a single tune. Though it's overtly intended to get our bodies moving, Latin ...
Luis Perdomo: Twenty-Two
by Dan Bilawsky
In 1993, a twenty-two year old pianist named Luis Perdomo left Venezuela and arrived in New York City, eager to further his education and pursue his musical dreams. Now, twenty-two years later, Perdomo can certainly look back with a sense of accomplishment, having made a significant impact on the scene through his leader dates and important ...
Manuel Valera Trio: Live at Firehouse 12
by Edward Blanco
Leader of the Latin jazz-styled group New Cuban Express, New York-based, Cuban-born pianist Manuel Valera, unveils his 10th album as leader and his first recording in a live setting with the untypically non-Latin Live at Firehouse 12, his first trio format release in six years. This, very excellent trio features jazz luminaries Hans Glawischnig on bass ...
Thomas Bergeron: Sacred Feast
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by Dan Bilawsky
On the surface, the late Olivier Messiaen was no lover of jazz. When the topic came up in an interview that he gave in the mid '80s, he was quick to say that jazz, as a style, was something of a stylistic “robber" or borrower rather than an innovator, and that he'd “never been fond of ...
Nilson Matta: EastSideRioDrive
by Dan Bilawsky
Many a bassist is renowned or applauded for the way they serve as ballast in a band, but what of the bassists who go the other way, providing lift instead of weight? There are precious few of them out there, but Nilson Matta is one one of them. Matta, whether working with the collectively-operated Trio Da ...
John Petrucelli Quintet: The Way
by Dan Bilawsky
The debut release from saxophonist John Petrucelli packs a mean punch. For his first outing, this Pittsburgh-based tenor man put together a lengthy, two-disc program that showcases his writing and, of greater note, his chops. In some ways, this can be seen as a musical shock and awe campaign. Petrucelli's muscular tenor proves ...
Steve Gadd Band: 70 Strong
by Glenn Astarita
Since the 70s, Steve Gadd has pretty much seen it and done it all, and recognized as one of the most influential drummers of the modern era, spanning numerous musical genres. His slippery cross-sticking between the hi-hat and snare drum amid new ways and means to generate a funk groove, along with his famous drum solo ...
Manuel Valera Trio: Live at Firehouse 12
by C. Michael Bailey
Cuban pianist Manuel Valera readily extends the jazz language of his predecessors Bebo and Chucho Valdes. He is comfortable leading all band formats from septets (In Motion (Criss Cross, 2014) to solo performance (Self Portrait (Self Produced, 2014). Valera may presently be found fronting an exceptional trio performing Live at Firehouse 12. Orchestral ...
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