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Article: Album Review

Luis Perdomo: Twenty-Two

Read "Twenty-Two" reviewed by Dan Bilawsky


In 1993, a twenty-two year old pianist named Luis Perdomo left Venezuela and arrived in New York City, eager to further his education and pursue his musical dreams. Now, twenty-two years later, Perdomo can certainly look back with a sense of accomplishment, having made a significant impact on the scene through his leader dates and important ...

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Article: Album Review

Manuel Valera Trio: Live at Firehouse 12

Read "Live at Firehouse 12" reviewed by Edward Blanco


Leader of the Latin jazz-styled group New Cuban Express, New York-based, Cuban-born pianist Manuel Valera, unveils his 10th album as leader and his first recording in a live setting with the untypically non-Latin Live at Firehouse 12, his first trio format release in six years. This, very excellent trio features jazz luminaries Hans Glawischnig on bass ...

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Article: Album Review

Thomas Bergeron: Sacred Feast

Read "Sacred Feast" reviewed by Dan Bilawsky


On the surface, the late Olivier Messiaen was no lover of jazz. When the topic came up in an interview that he gave in the mid '80s, he was quick to say that jazz, as a style, was something of a stylistic “robber" or borrower rather than an innovator, and that he'd “never been fond of ...

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Article: Album Review

Nilson Matta: EastSideRioDrive

Read "EastSideRioDrive" reviewed by Dan Bilawsky


Many a bassist is renowned or applauded for the way they serve as ballast in a band, but what of the bassists who go the other way, providing lift instead of weight? There are precious few of them out there, but Nilson Matta is one one of them. Matta, whether working with the collectively-operated Trio Da ...

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Article: Album Review

John Petrucelli Quintet: The Way

Read "The Way" reviewed by Dan Bilawsky


The debut release from saxophonist John Petrucelli packs a mean punch. For his first outing, this Pittsburgh-based tenor man put together a lengthy, two-disc program that showcases his writing and, of greater note, his chops. In some ways, this can be seen as a musical shock and awe campaign. Petrucelli's muscular tenor proves ...

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Article: Album Review

Steve Gadd Band: 70 Strong

Read "70 Strong" reviewed by Glenn Astarita


Since the 70s, Steve Gadd has pretty much seen it and done it all, and recognized as one of the most influential drummers of the modern era, spanning numerous musical genres. His slippery cross-sticking between the hi-hat and snare drum amid new ways and means to generate a funk groove, along with his famous drum solo ...

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Article: Album Review

Manuel Valera Trio: Live at Firehouse 12

Read "Live at Firehouse 12" reviewed by C. Michael Bailey


Cuban pianist Manuel Valera readily extends the jazz language of his predecessors Bebo and Chucho Valdes. He is comfortable leading all band formats from septets (In Motion (Criss Cross, 2014) to solo performance (Self Portrait (Self Produced, 2014). Valera may presently be found fronting an exceptional trio performing Live at Firehouse 12. Orchestral ...

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Article: Interview

Chantale Gagné: Composer on the Rise

Read "Chantale Gagné: Composer on the Rise" reviewed by R.J. DeLuke


Chantale Gagné has been locked in with some of the best musicians on the scene since the pianist/composer moved to New York City in 2008. She's an import from Quebec. Raised in a rural part of the province, she cut her teeth in jazz circles in Montreal before moving to the Big Apple. She's not only ...

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Article: Album Review

Chantale Gagné: The Left Side Of The Moon

Read "The Left Side Of The Moon" reviewed by Hrayr Attarian


Montreal native pianist Chantal Gagné's third release as a leader, Left Side of the Moon brims with a fantastical mysticism. A translucent aura surrounds the ten Gagné compositions, and one cover, that comprise the album while an intense, organic passion permeates their core.The darkly hued title track for instance is an incandescent ballad with ...

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Article: Album Review

Richie Goods and Nuclear Fusion: Three Rivers

Read "Three Rivers" reviewed by Dave Wayne


Growing up in the 1970s, I was a rabid fan of the aggressive and adventurous sounds of jazz-rock, later re-branded as “jazz fusion." I slowly lost interest as the style became mired in a sticky sea of overproduced pop moves and smooth sentiment, but held out hope for some sort of renaissance. The jam-band fad of ...


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