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An Upper West Side Story: Tobias Gebb & Trio West
by Jerry D'Souza
After an acclaimed and successful outing with their debut CD Trio West Plays Holiday Songs (Yummy House Records, 2006), Trio West is back with An Upper Westside Story, a recording that should bring them up front and center once again. Tobias Gebb (drummer, composer, arranger) has a knack for stimulating the progression of through-composed pieces with ...
Ben Wolfe Celebrates New Release "No Strangers Here" at NY's Jazz Standard on June 3rd, 2008
Bassist/Composer & Bandleader Ben Wolfe will be performing with his Octet at The Jazz Standard in New York on Tuesday, June 3rd, 2008 in celebration of his latest MAXJAZZ release No Strangers Here. Sets are 7:30 PM and 9:30 PM. Ben Wolfe Octet: Ben Wolfe - bass/composer Marcus Strickland - saxophone
Jon Balke: Book of Velocities
by Chris May
On paper, Norwegian pianist Jon Balke's first solo album reads like challenging stuff: a collection of eighteen short improvisations, grouped into five sub-sections (four “chapters" and an “epilogue"), and concerned as much with the velocities with which the piano's strings can be struck--and how they can be struck--as with thematic or harmonic development. Something for fellow ...
Jim Gailloreto's Jazz String Quintet & Pianist Fred Hersch May 8th and 9th, 2008 at Bargemusic
Jim Gailloreto's Jazz String Quintet & Pianist Fred Hersch will be performing together on May 8th & 9th, 2008 at Bargemusic in Brooklyn, New York. Showtime both nights is 8:00 PM. Jazz String Quintet: Jim Gailloreto - saxophones Katherine Hughes - Violin Carol Kalvonjian- Violin Benton Wedge - ...
Alan Pasqua / Dave Carpenter / Peter Erskine: Standards
by Michael P. Gladstone
This jazz trio recording consists of pianist Alan Pasqua, bassist Dave Carpenter and drummer Peter Erskine. An ongoing cooperative trio with two other releases to its credit--2000's Live at Rocco and 2002's Badlands, both released on Erkine's Fuzzy Music label, this largely intimate session was recorded with only two KMF stand-up tube microphones. The ...
Peter Erskine Tim Hagans & The Norrbotten Big Band: Worth The Wait
by Michael P. Gladstone
The title of this album, Worth The Wait, is a specific reference for these two old pals, drummer Peter Erskine and trumpeter Tim Hagans, to join in one recording session with the Norrbotten Big Band. The origin of the title dates back to a 1974 musical meeting when Erskine was the drummer for the Stan Kenton ...
Marilyn Mazur: Elixir
by Budd Kopman
Percussionist Marilyn Mazur is a prime example of why many drummers these days are prone to listing themselves also as percussionists. The distinction is important beyond the number of instruments available to the player and involves the attitude towards their place in any musical enterprise. Drummer/percussionists like Paul Motian, Jon Christensen or Tony ...
Kristjan Randalu / Bodek Janke: Live
by Budd Kopman
Pianist Kristjan Randalu and drummer Bodek Janke have performed as a duo for more than twenty years, and quite naturally have developed an exceedingly close rapport. Live is a recording of the award ceremony concert for Randalu winning the 2007 Baden-Wurttemberg Jazz Prize. Coincidentally, Janke won the same prize in 2008. Each musician ...
James Silberstein: Expresslane
by Michael P. Gladstone
It's unclear why a guitar-featured album with a bunch of solid horn players on hand engenders feelings of nervousness--especially when they are pros like tenor saxophonist Eric Alexander, trumpeter Jim Rotundi and trombonist Steve Davis. From the opening bars of Cole Porter's “From This Moment On," on James Silberstein's Expresslane, horn riffs are heard alongside guitar ...
Bill Stewart, Stanton Moore, Tobias Gebb: A Trio of Drum Trios
by C. Michael Bailey
Drum trios? Drum trios and not piano trios or guitar trios? The three releases considered here are by drummer-led trios. They offer vastly differing approaches to performing both standards and original compositions. Bill Stewart, Stanton Moore, and Tobias Gebb all aim to accomplish the same goal--making music--but that is where the similarity ends. Bill ...
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