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2

Article: Album Review

Harvie S, Roni Ben-Hur with Sylvia Cuenca: Wondering

Read "Wondering" reviewed by Troy Dostert


One of the drawbacks of being a consummate sideman is that it can be hard to find time for one's own projects as a leader. That is certainly the case for bassist Harvie S who, in a long career, has distinguished himself with superb work in support of Sheila Jordan, Don Friedman, Alan Broadbent, and many ...

4

Article: Album Review

Jim & the Schrimps: Ain't No Saint

Read "Ain't No Saint" reviewed by Troy Dostert


Although the group's name (and album title) sound like something one might associate with a second-rate bar band, there is nothing oafish or pedestrian about drummer Jim Black's latest outfit, a hard-hitting ensemble which channels the distinctive energies of Black and his well-chosen compatriots. With saxophonists Asger Nissen (alto) and Julius Gawlik (tenor) and bassist Felix ...

11

Article: Album Review

Ingrid Laubrock: The Last Quiet Place

Read "The Last Quiet Place" reviewed by Troy Dostert


When saxophonist Ingrid Laubrock finds herself in her comfort zone, it is typically in small group formations--often just duos or trios--which allow her unparalleled skills as an improviser to shine most brightly. However, listeners are always in for a special treat when she ventures out into less familiar terrain, especially with larger ensembles. On recordings such ...

7

Article: Album Review

Susan Alcorn, Patrick Holmes and Ryan Sawyer: From Union Pool

Read "From Union Pool" reviewed by Troy Dostert


The inimitable pedal steel guitarist Susan Alcorn seemingly knows no bounds when it comes to the range of textures, tones and timbres she can coax out of her instrument. She is also a consummate improvisational partner, whether working in free or composed contexts. And she has forged a terrific partnership with Relative Pitch Records, which has ...

13

Article: Album Review

Jo Lawry: Acrobats

Read "Acrobats" reviewed by Troy Dostert


Australian vocalist Jo Lawry has covered a lot of ground in a musical career that goes back to her well-received debut in 2008, I Want to Be Happy (Fleurieu). Her formidable jazz chops were readily apparent on that release, but she then turned to other genres, including folk and pop on albums like Taking Pictures (ABC ...

6

Article: Album Review

The Heavy Hitters: Heavy Hitters

Read "Heavy Hitters" reviewed by Troy Dostert


The self-titled debut from the Heavy Hitters, pianist Mike LeDonne's latest sextet, has the feel of a tribute album. However, unlike most recordings of that nature, there is no classic repertoire present, as all nine tracks are penned either by LeDonne or his colleague, tenor saxophonist Eric Alexander. Instead, it is a tribute to a sound ...

7

Article: Album Review

Kenji Lee's Fortune Teller Trio: Kyūdō

Read "Kyūdō" reviewed by Troy Dostert


Detroit-based tenor saxophonist Kenji Lee brings a heady concept to his latest release, Kyūdō. Drawing inspiration from the practice of Japanese archery, Lee sees his music as a pathway to spiritual growth, a process in which technical mastery and an abiding aesthetic sensibility are conjoined. Harnessing the sympathetic partnership of his colleagues, bassist Andy Peck and ...

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Article: Album Review

The Attic: Love Ghosts

Read "Love Ghosts" reviewed by Troy Dostert


Portuguese tenor saxophonist Rodrigo Amado maintains a busy recording schedule, involving dates with heavy-hitters like Joe McPhee, Alexander von Schlippenbach and Peter Evans, in addition to his own lineups, which do not always generate the same kind of buzz. One of his relatively under-recognized groups is The Attic, an outfit which includes bassist Gonçalo Almeida and ...

22

Article: Album Review

Tyshawn Sorey Trio +1 (with Greg Osby): The Off-Off Broadway Guide to Synergism

Read "The Off-Off Broadway Guide to Synergism" reviewed by Troy Dostert


Even for a musician who thrives on unsettling expectations, Tyshawn Sorey's Mesmerism (Yeros7 Music, 2022) caught a lot of listeners by surprise. The inimitable drummer's recordings have long occupied that amorphous space between avant-garde jazz and contemporary classical music, and “accessibility" has rarely been the term of choice for his creative output. But utilizing a trio ...

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Article: Year in Review

Troy Dostert's Best Releases of 2022

Read "Troy Dostert's Best Releases of 2022" reviewed by Troy Dostert


Did 2022 represent a return to “normal" in the jazz world? Perhaps, although it might be more valuable to keep our eyes focused on the shifting trajectories and stylistic heterodoxies that make this music as unpredictable and surprising as ever. Releases from Steve Lehman and Eve Risser were especially noteworthy, involving pan-continental strivings that are always ...


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