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Myra Melford / Tanya Kalmanovitch: Heart Mountain
by Troy Collins
Heart Mountain is the first duo recording of pianist Myra Melford and violist/violinist Tanya Kalmanovitch. Ajay Heble, artistic director of the 2003 Guelph International Jazz Festival, suggested a duet with Melford when unforeseen circumstances prevented the scheduled performance of Kalmanovitch's quartet. So successful was their unplanned meeting that they decided to reconvene for this 2005 studio ...
The Fred Hess Band: In The Grotto
by Troy Collins
In The Grotto is Denver-based composer and tenor saxophonist Fred Hess' twelfth album as a leader and the fourth to feature members of his long-running quartet. The Long and Short of It (Tapestry, 2004) and Crossed Paths (Tapestry, 2005) featured trumpeter Ron Miles, bassist Ken Filiano and drummer Matt Wilson. How 'Bout Now (Tapestry, 2006) expanded ...
John Lindberg / Karl Berger: Duets 1
by Troy Collins
With roots in the vocalized timbre of the blues, the conversational nature of the duet has become commonplace in jazz. The conceptual inroads made in the post-war years further expanded traditional notions of rhythm, melody and harmony, allowing even greater expressive freedom for such intimate dialogues. Coming from different generations but arriving at the ...
Roland Kirk with Jack McDuff: Kirk's Work
by Troy Collins
Technically his third album, following Introducing Roland Kirk (Chess, 1960), and a previously unissued R&B session (Triple Threat), Kirk's Work pre-dates the boundless surrealism of his post-Rahsaan era. Sharing the bill with organist Jack McDuff, the record is commonly regarded as a fairly straight-ahead date made years before Kirk gradually transformed from a stunning virtuoso multi-instrumentalist ...
Booker Ervin: The Freedom Book
by Troy Collins
The first of four thematically linked albums, tenor saxophonist Booker Ervin's The Freedom Book is an overlooked classic. The Song Book, The Blues Book and The Space Book were all subsequently recorded in 1964 for Prestige, but this seminal 1963 recording is a masterpiece of unconventional, advanced hard bop. Less free than the title ...
Billy Martin / John Medeski: Mago
by Troy Collins
In 1989 organist John Medeski joined percussionist Billy Martin in his Brooklyn loft for a jam session that became the genesis for the groove institution known as MMW. Together with bassist Chris Wood, Medeski, Martin & Wood has become one of the most successful cross-over stories in all of modern jazz. Medeski and Martin ...
Fred Lonberg-Holm Trio: Terminal Valentine
by Troy Collins
The highly expressive cello is a cornerstone of the western classical canon, yet it remains a marginalized instrument in the jazz world. Chicago-based cellist Fred Lonberg-Holm sits atop a growing list of contemporary innovators playing what is still classified as a “miscellaneous" instrument by many mainstream jazz publications. Terminal Valentine is Lonberg-Holm's third album ...
The Bad Plus: Prog
by Troy Collins
Free from the confines of major label machinery, The Bad Plus returns to its independent roots fully rejuvenated with Prog, its fifth studio album and first on its own Do The Math imprint (distributed by Heads Up). Although a three-album tenure on Columbia Records brought The Bad Plus far greater recognition than its self-titled 2001 debut ...
John Abercrombie Quartet at the Hilton Ballroom
by Troy Collins
John Abercrombie QuartetCentral Pennsylvania Friends of Jazz eventHilton BallroomHarrisburg, PennsylvaniaSunday, April 15, 2007 The dedicated touring ensemble is a rarity in today's jazz scene--a thing of rare beauty to cherish in these times of collective projects, pick-up bands and ad hoc all-star ensembles. Guitarist John Abercrombie brought his ...
Joseph Jarman: As If It Were The Seasons
by Troy Collins
As If It Were The Seasons was Joseph Jarman's second album for Delmark records, following his 1966 debut, Song For. Recorded in 1968, it is a rare document of his artistry pre-Art Ensemble of Chicago. Remastered from the original analog tapes, this reissue sheds new light on a seminal free jazz classic. The album ...
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