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Dissection Room: Albert Cirera / Abdul Moimême / Alvaro Rosso: Dissection Room
by Karl Ackermann
An international trio, based out of Lisbon, Portugal, Dissection Room formed in 2015 with saxophonist Albert Cirera, bassist Alvaro Rosso and guitarist and electronic artist Abdul Moiméme. The three artists share wide-ranging formal training in multiple disciplines as well as an affinity for experimental music. Their self-titled debut, recorded live at Lisbon's O'Culto Da Ajuda in ...
Rich Halley 3: The Literature
by Karl Ackermann
A native of Oregon, saxophonist Rich Halley spent enough time in Chicago to absorb the ethos of the AACM and intermingle the influences of Thelonius Monk, Charles Mingus, and Ornette Coleman, to name a few of his inspirations. Over his thirty-five year recording career he has worked with Michael Bisio, Bobby Bradford, Nels Cline, Vinny Golia, ...
Clean Feed 2018
by Mark Corroto
Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...
Dave Ballou: Quadrants (for solo trumpet)
by Alberto Bazzurro
Dave Ballou è un trombettista di cinquantacinque anni (il 22 aprile) del Rhode Island con all'attivo, a partire dal 1997, undici album a suo nome con a fianco musicisti del calibro di Michael Formanek, Cameron Brown, Tony Malaby, Randy Peterson, Drew Gress e svariati altri, nonché incisioni a firma dello stesso Formanek (il bellissimo The Distance, ...
Jeff Cosgrove / Scott Robinson / Ken Filiano: Hunters & Scavengers
by Mark Corroto
In the 1980s, artist Jenny Holzer created short, pithy statements projected by LED lights in museums and onto Times Square. Her now famous “Abuse of Power Comes As No Surprise" text sums up not only the #MeToo movement and the #BlackLivesMatter cry, but also to some extent, the music industry. The vertical construction of many jazz ...
L'eclettismo di Satoko Fujii
by Neri Pollastri
Mentre è uscito Solo, primo dei ben dodici album che Satoko Fujii ha annunciato per il 2018, anno in cui compirà sessant'anni, ci occupiamo qui di tre dei numerosi ed eccellenti lavori da lei pubblicati nel 2017, che ne illustrano particolarmente la poliedricità: nel primo infatti Satoko non è al pianoforte, bensì alla fisarmonica; nel secondo ...
Nick Fraser: Is Life Long?
by Mark Corroto
There is a pulse, maybe better stated a pace, drummer Nick Fraser is partial to on his recording Is Life Long?. His quartet, originally named Towns And Villages, is assembled around a concept. It is a two string (bass and cello), saxophone, and drum outfit. The music trawls an insouciant path through six original compositions. Being ...
Mario Pavone: Vertical
by Don Phipps
The moody, complex, witty, playful and abstract music found on Vertical can only result from the combined genius of six talented musicians. And Mario Pavone has assembled just such an ensemble for this release. Pedigree aside, this music explores gentle improvisation and abstractions, a formless within form approach that echoes the work of Anthony Braxton, Dave ...
Pearring Sound: True Story
by Karl Ackermann
Colorado native Jeff Pearring began studying the alto saxophone at the age of ten but pursued a career in economics before turning back to music. With a broad range of experiences that encompassed symphonic bands, ska and reggae, it was Pearring's affinity for jazz that guided him upon arriving in New York. Pearring studied with Connie ...
Ugly Beautiful
By Billy Mintz
Label: Thirteenth Note Records
Released: 2017
Track listing: CD1: Angels; Vietnam; Dit; Flight; Flight (Ballad); Cannonball; Smear; Dit (alternate take); Umba. CD2: Tumba; Dirge; Love And Beauty; Ugly Beautiful; Relent; Retribution; After Retribution; Cannonball (extended).
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