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5

Article: Live Review

Ron Carter Quartet At Regattabar

Read "Ron Carter Quartet At Regattabar" reviewed by Peter Jurew


Ron Carter Quartet Regattabar Cambridge, MA February 22, 2019 You are the “World's Greatest Jazz Bassist," as a sign used to say at The Knickerbocker Saloon in New York City, where you and Cedar Walton held forth for many years. You have been at the top of your ...

News: Birthday

Jazz Musician of the Day: Tommy Flanagan

Jazz Musician of the Day: Tommy Flanagan

All About Jazz is celebrating Tommy Flanagan's birthday today! Rarely has such unanimously unstinting praise been bestowed on a less self-congratulatory recipient. As genial and matter-of-fact off the stand as he is fiercely individual at the keys, Tommy Flanagan handles his world class ranking with an equanimity, a modesty, an easy friendliness not always associated with ...

5

Article: Album Review

Michael Kocour: East Of The Sun

Read "East Of The Sun" reviewed by Jack Bowers


Here's another well-planned and immaculately recorded solo album by pianist Michael Kocour, his second such enterprise for OA2 Records (the first, Wherever You Go, There You Are, was released in 2015). As its title suggests, East of the Sun consists almost entirely of gems from the Great American Songbook with one zircon (guitarist Don Gibson's “I ...

50

Article: Profile

Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays

Read "Sonny Buxton: Strayhorn’s Last Drummer, A Radio Master Class Mid-Day Saturdays" reviewed by Arthur R George


Sociologist, anthropologist, historian: storyteller, raconteur, entrepreneur and griot, in the guise of a deejay. Registrar, dean, professor: The jazz class of Sonny Buxton is barely concealed as entertainment within his weekly radio program every Saturday 10 a.m. to 2 p.m. Pacific time on San Francisco Bay Area FM station KCSM 91.1, streaming live on kcsm.org.

32

Article: Under the Radar

Big in Japan, Part 2: Osaka & the Eri Yamamoto Connection

Read "Big in Japan, Part 2: Osaka & the Eri Yamamoto Connection" reviewed by Karl Ackermann


Part 1 | Part 2 In Part 1 of Big in Japan we looked at the early history of jazz music in that country--a history that dates back to the same time frame as the Jazz Age in the United States. The influence of American dance music was indisputable but it came to Japan ...

9

Article: Out and About: The Super Fans

Meet Nora Sheehan Schaaf

Read "Meet Nora Sheehan Schaaf" reviewed by Tessa Souter and Andrea Wolper


Before we jump into November's column, we'd like to know: Are YOU a jazz super fan? If you are and you'd like to be featured in an upcoming column, click here and send us a message! Nora Sheehan Schaaf, along with her husband, Homer, has been going out to hear live jazz ...

10

Article: Album Review

Miles Okazaki: Work: The Complete Compositions of Thelonious Monk

Read "Work: The Complete Compositions of Thelonious Monk" reviewed by Mark Corroto


The best way to embark upon Miles Okazaki's six-volume Work: The Complete Compositions of Thelonious Monk is the same manner you might approach Herman Melville's American masterpiece Moby-Dick; or, The Whale. Like Moby-Dick with its 135 chapters (and epilogue), Work is a Brobdingnagian accomplishment. Okazaki performs the complete Thelonious Monk songbook. 70 tunes in total.

7

Article: Album Review

Cory Weeds Little Big Band: Explosion

Read "Explosion" reviewed by Jack Bowers


The size and makeup of a “little big band" depend above all on what the leader has in mind. In this case, leader Cory Weeds patterned his ensemble (four brass, four reeds, three rhythm) after similar groups led by tenor saxophonists Eddie “Lockjaw" Davis and Gene Ammons, and what he had in mind was a mid-sized ...

3

Article: Album Review

Cory Weeds Little Big Band: Explosion

Read "Explosion" reviewed by C. Michael Bailey


Renaissance Man Cory Weeds has the Midas Touch. Since attaining Vancouver-local escape velocity with his Cellar Jazz Club and then his record label with the same imprint, the musical entrepreneur has parlayed his notice worldwide with excellent recordings of himself and other noted artists. Weeds' Cellar Jazz focus is what would be defined as an “Arbors ...

87

Article: Interview

Yakhal' Inkomo: A South African Masterpiece at Fifty

Read "Yakhal' Inkomo: A South African Masterpiece at Fifty" reviewed by Seton Hawkins


On July 23, 1968, a now-legendary recording session took place in Johannesburg, South Africa, one that would ultimately prove a defining moment in the country's Jazz history and development. Led by tenor saxophonist Winston Mankunku Ngozi, a quartet that included pianist Lionel Pillay, bassist Agrippa Magwaza, and drummer Early Mabuza would record the album Yakhal' Inkomo. ...


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