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10

Article: Album Review

Trio Linguae: Signals

Read "Signals" reviewed by Jack Bowers


Signals introduces the snug and simpatico Trio Linguae ("lin-gwee") from western Canada whose unusual makeup (trumpet, guitar, piano) doesn't hinder it from painting a series of shapely and pleasing portraits in sound. Trumpeter Kevin Woods had been performing with his compatriots—pianist Miles Black, guitarist John Stowell—for more than a decade but never before on the same ...

30

Article: Building a Jazz Library

Muse Records: Ten Smoking Hot Albums

Read "Muse Records: Ten Smoking Hot Albums" reviewed by Chris May


Alone among the other great jazz labels of the 1960s and 1970s—Blue Note, Prestige, Riverside, Impulse!, Strata-East and Atlantic—Joe Fields' Muse is rarely anthologised, written about or otherwise celebrated. Yet like its peers, Muse was prolific, releasing over 200 premium-grade albums during the 1970s, its most active decade, alone. This relative obscurity is ...

5

Article: Radio & Podcasts

Highlights of Jazz in the Late 1990s (1995 - 1999)

Read "Highlights of Jazz in the Late 1990s (1995 - 1999)" reviewed by Russell Perry


This is the 96th of 100 programs in the Jazz at 100 series. As we present more recent music, we face the historian's dilemma, what performances will have lasting value? What players will be remembered for their contributions to advancing the music? What trends will turn into dominant themes? We are following the lead of critic ...

18

Article: The Jazz Life

My Early Years With Bill Evans, Part 1

Read "My Early Years With Bill Evans, Part 1" reviewed by Chuck Israels


Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...

11

Article: Building a Jazz Library

Drummers as Bandleaders: An Alternative Top Ten Albums

Read "Drummers as Bandleaders: An Alternative Top Ten Albums" reviewed by Chris May


Drummers have been key members of every band which has changed the course of jazz history, from Max Roach with Charlie Parker to Elvin Jones with John Coltrane and onwards. Yet drummers have been the leaders of a surprisingly small proportion of landmark bands themselves. Chick Webb in the 1920s was the first of the few. ...

5

Article: Album Review

Eldar Djangirov: Rhapsodize

Read "Rhapsodize" reviewed by Mike Jurkovic


Eldar Djangirov... None other than Dave Brubeck declared him a genius. Dr. Billy Taylor called his music a “brilliantly complex discipline." So, when inevitably asked who the masters of their craft may or may not be, does Eldar Djangirov immediately roll off anyone's tongue? More than likely not. And, with more than a handful ...

Results for pages tagged "Tommy Flanagan"...

Musician

Tommy Flanagan

Born:

Rarely has such unanimously unstinting praise been bestowed on a less self-congratulatory recipient. As genial and matter-of-fact off the stand as he is fiercely individual at the keys, Tommy Flanagan handles his world class ranking with an equanimity, a modesty, an easy friendliness not always associated with the psychic burden of being Number One. Perhaps because almost instant early recognition by his peers and the universal affection in which he has been held by them over the years has made for a warm and artistically rewarding roost in the jazz jungle for Tommy Flanagan. Or perhaps it is owing to his wholesome origins, as one of six children of an upwardly striving, musically enthusiastic family in Detroit. Whatever, Flanagan made his professional debut in 1945 at age 15, joining forces with fellow Motor City budding heavyweights Milt Jackson, Thad Jones, Elvin Jones and Kenny Burrell, playing clubs like the Bluebird, Detroit’s renowned jazz room

18

Article: Album Review

Mal Waldron: Free At Last

Read "Free At Last" reviewed by Karl Ackermann


The sensitivity reflected in much of Mal Waldron's music was a deep aspect of his psyche. The Harlem-born pianist, who died in Brussels, Belgium, in 2002, worked downtown with saxophonist Ike Quebec at Café Society in the early 1950s and went on to record on several Charles Mingus recordings including Pithecanthropus Erectus (Atlantic), Jazz Composers Workshop ...

11

Article: Out and About: The Super Fans

Meet Andrew Rothman

Read "Meet Andrew Rothman" reviewed by Tessa Souter and Andrea Wolper


Lawyer, audiophile, lifelong arts enthusiast, our newest Super Fan's life plan was to be a classical pianist, until college took him in another direction. But it was two “major epiphanies" (the first time he heard Miles Davis and, later, Bill Evans) that turned him into a jazz Super Fan--such a Super Fan, in fact, that he ...

5

Article: Interview

Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2

Read "Richie Beirach: Indelible Memories and Thought-Provoking Reflections on a Life in Jazz, Part 2" reviewed by Victor L. Schermer


Part 1 | Part 2 Richie Beirach hovers somewhat mysteriously in the pantheon of the great modern jazz pianists. Some of the others in that category from his generation (coming up in the 1960s/'70s), like Herbie Hancock, Keith Jarrett, Chick Corea, and Kenny Barron have greater celebrity, but Beirach easily qualifies alongside them as ...


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