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Irek Wojtczak & The Fonda-Stevens Group: Folk Five
by Budd Kopman
Polish jazz has a long history, and includes many more players than the widely known Tomasz Stanko or Krzysztof Komeda. A deeper, and much earlier influence than American jazz coming to Poland is that of the folk music indigenous to Poland itself. Reedman (saxophones and bass clarinet) Irek Wojtczak, arguably a free player, relates ...
April Jazz 2015
by Ian Patterson
April Jazz 2015 National Concert Hall Dublin April 10-12, 2015 April Jazz is the latest addition to Dublin's thriving jazz/improvised music scene. The weekend festival is part of the National Concert Hall's Perspectives program, a series of monthly concerts that spans modern bluegrass and fiddle soundscapes, alt country and ...
ECM Fest at SFJAZZ
by Harry S. Pariser
ECM Fest SFJAZZSan Francisco, CA March 26-29, 2015 In 1969, German record producer Manfred Eicher founded ECM, a label which would change music history. Since then his “Edition of Contemporary Music" imprint has more than lived up to its name, issuing well over a thousand albums by ...
Jakob Bro: Gefion
by Vincenzo Roggero
I primi centottanta secondi sono quasi impercettibili. Non è una questione di volume, ma di estetica, di dichiarazione di intenti. Jakob Bro si presenta così in Gefion sua prima fatica discografica per ECM, il silenzio, lo spazio, il suono, il Rainbow Studio di Oslo come compagni di viaggio al pari del batterista Jon Christensen e del ...
Gianni Lenoci / Kent Carter / Bill Elgart: Plaything
by John Sharpe
Italian pianist Gianni Lenoci forms one apex of a trio with almost unlimited collective nous on Plaything. There are main two reasons for that: Kent Carter on bass and Bill Elgart on drums, both veterans of the 1964 October Revolution in Jazz, who have since carved niches for themselves in Europe. Carter 's early exposure arrived ...
Secondo capitolo per il trio di Giovanni Guidi
by Angelo Leonardi
A distanza di un anno da City of Broken Dreams, l'ECM pubblica in questi giorni il nuovo capitolo del trio di Giovanni Guidi con Thomas Morgan e João Lobo, This Is the Day. Un lavoro particolarmente raffinato e maturo, con nuove splendide composizioni e una ricca empatia. Il pianista umbro ce ne parla in quest'intervista.
Marcin Wasilewski Trio with Joakim Milder: Spark of Life
by Neri Pollastri
Il rodato trio di Marcin Wasilewski si allarga a quartetto ospitando il sassofonista svedese Joakim Milder, che si mostra adattissimo alla poetica della formazione polacca e ne esalta gli aspetti lirici e riflessivi. Non a caso, perché Milder nel 1997 era stato parte dello splendido lavoro che Tomasz Stanko--mentore di Wasilewski, Slawomir Kurkiewicz e Michal Miskiewicz--aveva ...
Irek Wojtczak & The Fonda-Stevens Group: Wojtczak NY Connection
by C. Michael Bailey
Jazz from the edge of Eastern Europe. Wojtczak NY Connection is very much and East meets West jazz endeavor. Irek Wojtczak is a Polish saxophonist, conservatory trained and stage proven. For the Wojtczak NY Connection, Wojtczak joins the New York City-based Fonda/Stevens Group (bassist Joe Fonda and pianist Michael Stevens) for an internationally-flavored eutectoid. The results ...
Pulsarus: Bee Itch
by Glenn Astarita
When discussing progressive jazz contexts, let us not forget our brothers and sisters in Poland who have been riding the cutting-edge schema for decades, evidenced by pianists Adam Makowicz, Marcin Wasilewski, trumpeter Tomasz Stańko and other notables of the global jazz and improvising network. However, the young For Tune record label highlights fledgling talent and seasoned ...
Jakob Bro: Gefion
by Henning Bolte
Gefion, Danish guitarist Jakob Bro's ECM-debut as leader, is a fascinating reinvention of melodicism. His music leads listeners deep into the rich resonances emerging from brilliantly simple melodic motifs imbued with seductive atmospheres. Like Möbius strips his music's lines wind seemingly endlessly. Its evocative melodic nuclei very often reach the lower limits of dynamics, thereby opening ...
