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Article: Building a Jazz Library

Forget Old Europe: 15 European Jazz Musicians You Need To Know About

by AAJ Staff
August 16, 2017

Since the first half of the 20th century, the Old Continent has played a pivotal role both in welcoming and supporting jazz artists from the United States. Over the following decades it has expressed generations of passionate musicians with increasingly original languages and ever greater improvisatory skills. In the 21st century there are countless ...

Album

S-O-L-O: 30th Birthday/30 Concerts/30 Cities

By Tomasz Dabrowski

Label: Barefoot Records
Released: 2016
Track listing: Part I; Part II; Part III; Part IV; Part V; Part VI; Part VII; Part VIII; Part IX; Part X.

Album

Tomasz Dąbrowski S-O-L-O: "30th Birthday / 30 Cities / 30 Concerts"

By Tomasz Dabrowski

Label: Barefoot Records
Released: 2016

Article: Year in Review

Jakob Baekgaard's Best Releases Of 2016

by Jakob Baekgaard
December 28, 2016

The world seems more uncertain than ever before, but in times of uncertainty, music provides comfort and a hope that it is actually possible to communicate across borders, whether they be physical or psychological. Among the releases that caught my attention this year, the one that meant most to me by far is ...

Article: Lyrics

C’è del mood in Danimarca! Viaggio nella Copenhagen del jazz, tra tradizione e nuovi collettivi

by AAJ Staff
September 19, 2016

La città di Copenhagen è stata tra le prime e più attive capitali europee ad accogliere, sin dagli anni Cinquanta, alcuni dei migliori jazzisti americani che trovavano in Europa condizioni di lavoro e di rispetto artistico maggiori che in patria. Musicisti come Oscar Pettiford, Stan Getz, Ben Webster, Dexter Gordon, Duke Jordan, Kenny Drew ...

Article: Album Review

Tomasz Dabrowski: S-O-L-O: 30th Birthday/30 Concerts/30 Cities

Read "S-O-L-O: 30th Birthday/30 Concerts/30 Cities" reviewed by Jakob Baekgaard

by Jakob Baekgaard
May 19, 2016

Playing solo is a challenge that takes a lot of discipline. Whereas jazz often relies on the exchange of ideas in a group, there is only one person to carry out what pianist Bill Evans called his “conversations with himself." The consequence is that a soliloquy has the risk of going stale, but it can also ...