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128

Article: Album Review

The Marvin Stamm Quartet: Elegance

Read "Elegance" reviewed by Jack Bowers


The “invisible man” returns. Trumpeter Marvin Stamm, who played with big bands led by Woody Herman, Stan Kenton and Thad Jones / Mel Lewis, among others, before vanishing in the early ’70s into the wilderness of studio work in New York City, is playing Jazz again — has been for some time now — and that ...

87

Article: Album Review

The Rocky Winslow Quartet & Guests: Simple Complications

Read "Simple Complications" reviewed by Jack Bowers


Trumpeter Rocky Winslow’s debut as leader is an enterprising album of assertive post–bop Jazz that is undeniably well–played but sounds much like many other enterprising albums of assertive post–bop Jazz. While almost every track is admirable, none is memorable. Winslow, who wrote five of the eight numbers that comprise the album and solos on all of ...

105

Article: Album Review

Carl Fontana / Jiggs Whigham / The Stefan Karlsson Trio: Keepin' Up with the Boneses

Read "Keepin' Up with the Boneses" reviewed by Jack Bowers


This is the second album for TNC Jazz by trombone masters Carl Fontana and Jiggs Whigham with the Stefan Karlsson Trio, and like the first, Nice ‘n’ Easy (1997), it merits comment but is really beyond criticism except to note that there are one or two times when the rhythm section seems overly emphatic and that ...

117

Article: Album Review

Stefan Karlsson Trio: No Place to Go But Up

Read "No Place to Go But Up" reviewed by Jack Bowers


The trick to playing Jazz versions of Kurt Weill’s theatrically imposing songs is to wrestle them assiduously to earth and make them swing. It’s a stratagem not everyone has learned. Stefan Karlsson has, an opinion that is emphatically reinforced by the pianist and his trio on No Place to Go But Up, in which the essence ...

178

Article: Album Review

University of Nevada-Las Vegas Jazz Ensemble: Coloring Outside the Lines

Read "Coloring Outside the Lines" reviewed by Jack Bowers


The third recording by the uncommonly proficient UNLV Jazz Ensemble, and first under its new director, Rocky Winslow, gives an indication of the direction in which the program is moving. All but one of the eight selections were either written or arranged by students; the exception is Kenny Wheeler’s breezy toe–tapper, “Miold Man,” scored by pianist ...


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