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Results for "Tito Puente"
Bobby Sanabria / Manhattan School of Music Afro-Cuban Jazz Orchestra: Tito Puente Masterworks Live!!!
by Dan Bilawsky
If the Latin Jazz community had its own Mount Rushmore, then Tito Puente's face would be there, right beside the images of Machito and Mario Bauzá. All three men are viewed as patriarchs and/or key figures in the evolution of the Afro-Cuban musical movement and, despite Puente being the only non-Cuban on that list, Bauzá himself ...
Herb Alpert: On The Record
by Telly Davidson
It was no less than Miles Davis who once opined, “You don't have to hear but three notes before you know it's Herb Alpert." True enough, while Alpert's name isn't often mentioned in the same sentence as the other icons of West Coast jazz (many of whom appeared on records produced by his and Jerry Moss' ...
"JAZZ ROOTS: Music of the Americas" Out April 5th!
Sony MASTERWORKS Jazz in partnership with producer Larry Rosen will release JAZZ ROOTS: The Music of the Americas, the first compilation of this new branded series which traces the story of Jazz starting with the “Drums from Africa" and their effect on the musical DNA of the Americas. The historical descriptions for the package have been ...
90th Birthday Tribute to Candido Celebrated by Bobby Sanabria & Manhattan School of Music Afro Cuban Jazz Orchestra
Bobby Sanabria and the Manhattan School of Music Afro-Cuban Jazz Orchestra will be presenting a 90th Birthday Celebration honoring Candido Camero, NEA Jazz Master and the “father of modern conga drumming" on Friday, April 1 at 7:30pm in the School's John C. Borden Auditorium. The evening will feature Candido, who officially turns 90 on April 22nd, ...
Jazz Bridge Presents Latin Jazz Artist Suzzette Ortiz at the Collingswood Community Center on April 7th
Appearing at the Collingswood Community Center, 30 E. Collings Ave, in Collingswood, NJ, on April 7th, 2011 will be pianist Suzzette Ortiz with her band, featuring bassist Rob Hagopian, saxophonist Frank Machos, and drummer Francios Zayas. One Show: 7:30-9 p.m. Admission: $10/$5 for students. No advance sales. Free Refreshments! For info: 856-858-8914 Latin jazz artist Suzzette ...
Arturo O'Farrill: 40 Acres And A Burro
by Edward Blanco
Founded in 2002 by Artistic Director Arturo O'Farrill, The Afro-Latin Jazz Orchestra of New York's Lincoln Center was created to perform compositions from Latin music masters including the pianist's father Chico O'Farrill, as well as Machito, Tito Puente, Antonio Carlos Jobim, and others. The group separated from Lincoln Center on 2007, becoming part of the new ...
Wayne Wallace Latin Jazz Quintet: To Hear From There
by Bruce Lindsay
Trombonist and composer Wayne Wallace knows how to have fun, and on the delightfully upbeat To Hear From There his Latin Jazz Quintet makes that fun leap out of the speakers. The group--Grammy-nominated for 2009's ¡Bien Bien! (Patois Records)--is energetic and exceptionally tight. Wallace leads this fine and funky band through a selection of tunes that ...
Wayne Wallace: To Hear From There
by Wilbert Sostre
Wayne Wallace continues to explore the infectious Afro-Cuban rhythms on To Here From There, the follow-up to his 2010 Grammy-nominated album, Bien Bien! (Patois Record, 2009).Wallace is a trombonist with vast experience that includes collaborations with artists such as Count Basie, Joe Henderson, Lionel Hampton, Sonny Rollins and Tito Puente. Wallace Latin Jazz Quintet ...
Wayne Wallace: To Hear From There
by Hrayr Attarian
San Francisco-area trombonist Wayne Wallace is known for his Grammy-nominated forays into Afro-Cuban music, and on the surface, To Hear From There is another Latin jazz album. But mixed with the danceable, percussion-heavy rhythms and exuberant melodies, with a touch of melancholy, are complex, improvised solos that would delight even a jazz purist. ...
Paquito D'Rivera: Jazz at the Heart
by R.J. DeLuke
There is almost nothing Paquito D'Rivera hasn't accomplished since his arrival on the U.S. jazz scene in the early 1980s, when the young Cuban arrived from Spain--the first spot he hid when he defected from his home nation and its Communist rule that denied personal freedoms and forced musicians playing jazz to call it something else ...
