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Tim Armacost: Rhythm and Transformation
by Matt Merewitz
Tim Armacost talks about 'choices [he] made' that determined the path he has taken as a musician. His direction was not always self-evident and its constant evolution has taken him from the US to Japan, to the Netherlands, to India, and back to the US, where has been for the past decade. In his ...
Brightly Dark
By Tim Armacost
Label: Satchmo Jazz Records
Released: 2003
Track listing: Afro Pentameter; May I Come In?; Old Devil Moon; Children At Play; Brightly Dark; Love Letters; And
Then There Were Four.
Tim Armacost at Chris' Jazz Cafe
by AAJ Staff
Chris' Jazz Cafe Philadelphia, PA October 17, 2003 One of the biggests kicks in jazz is the discovery of fresh young talent, an artist you haven't heard yet, one who's saying something. I had that distinct pleasure in October when I heard tenor player Tim Armacost at Chris' Jazz Cafe in Philadelphia, ...
Tim Armacost: Brightly Dark
by Alexander M. Stern
The ghost of John Coltrane hovers over Brightly Dark. At times, Tim Armacost sounds startlingly like the late saxophonist, especially when he plays soprano, as he does on 'Afro Pentameter' and on the title track. Armacost is an extremely talented musician and an excellent composer, but he is still somewhat lacking in originality. Not that anyone ...
The Wishing Well
By Tim Armacost
Label: Double Cross
Released: 2000
Track listing: Body And Soul; Sustenance; Cresent; Black Sand Beach; The Wishing Well; Special Delivery.
Tim Armacost: The Wishing Well
by Joel Roberts
A quick look at his bio, and a quick listen to his accomplished new release on Double-Time Records, makes clear that 37-year-old Tim Armacost is no run-of-the-mill tenor saxophonist. A well-travelled, broadly educated New Yorker (via L.A., Washington, Tokyo, Amsterdam and India), Armacost draws heavily on the Coltrane and Rollins legacies, but has enough fresh musical ...
Tim Armacost: The Wishing Well
by AAJ Staff
In order to play true jazz, a musician needs to assimilate all that went before him, paying particular attention to those artists who charted the course and defined the vernacular for the specific instrument that he has set out to master. In music, nothing ever gets pulled out of thin air. You carry forth a linage, ...
