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480

Article: Album Review

Sonny Rollins: Saxophone Colossus

Read "Saxophone Colossus" reviewed by Eric J. Iannelli


Bass drum. High hat. A primal, hollow beat in triple succession. The sequence repeats, increasingly accentuated with quick rim shot bursts and precision hits to the tom. Then, stage set, the sax leaps in. A bright Caribbean calypso melody, its refrain only twelve notes long. Its vibrancy and simplicity give it an instantaneous appeal--fitting, given the ...

370

Article: Album Review

Horace Tapscott: The Dark Tree

Read "The Dark Tree" reviewed by Troy Collins


Due to his limited exposure outside of his native Los Angeles, pianist Horace Tapscott was largely unnoticed by the mainstream jazz press throughout his lengthy career. A galvanizing force in the Los Angeles scene, Tapscott co-founded the Underground Musicians Association (UGMA), later known as the Union of God's Musicians and Artists Ascension (UGMAA) in 1961, which ...

145

News: Interview

Guitarist Bobby Broom Interviewed at AAJ

Guitarist Bobby Broom Interviewed at AAJ

Bobby Broom is a veteran of the Chicago jazz scene. He's been the staple side dish of soul and jazz for over thirteen years at Pete Miller's Steakhouse in Evanston, IL. He's also busy regularly touring not only Chi-town, but throughout the world with his own group and with saxophone icon Sonny Rollins. But Plays for ...

715

Article: Wide Open Jazz and Beyond

A Question of Time

Read "A Question of Time" reviewed by Alan Bryson


Imagine you were given the chance to go back in time and witness four musical events (one each from jazz, blues, classical, and rock history.) What would they be? That's an after-dinner topic friends might discuss by candlelight. If your inner-child has completely matured, perhaps you could approach it as a potential film: if you were ...

990

Article: Interview

John Patitucci: Celebrating Jazz Heroes

Read "John Patitucci: Celebrating Jazz Heroes" reviewed by R.J. DeLuke


As sayings go, “One man's trash is another man's treasure" is pretty straightforward, especially for those enamored with garage sales. For lovers of jazz music, it may hold a bit more significance, for it played a fateful role in the life of one of today's superlative artists in the genre. John Patitucci is one ...

12,510

Article: Album Review

Samuel Quinto Trio: Salsa' N Jazz

Read "Salsa' N Jazz" reviewed by Raul d'Gama Rose


There is something about Brazilian-born pianist Samuel Quinto that strikes a vibrant chord in the inner ear. Perhaps it has to do with his wonderful grasp of the joy that abounds in the Brazilian northeast... his sense of “alegria." Perhaps it also has to do with his mature approach, wonderful use of dynamics, his expression and ...

617

Article: Big Band Report

Brett Favre Isn't The Only Comeback Kid

Read "Brett Favre Isn't The Only Comeback Kid" reviewed by Jack Bowers


The ink was barely dry on last month's report that trumpeter Rob Parton had decided to break up his superlative Chicago-based JazzTech Big Band after more than twenty years at the helm before Parton was back with a brand new ensemble, one whose purpose, he says, “is to mirror that of the European Radio Orchestras where ...

839

Article: Extended Analysis

John Hollenbeck Large Ensemble: Eternal Interlude

Read "John Hollenbeck Large Ensemble: Eternal Interlude" reviewed by Raul d'Gama Rose


John Hollenbeck Large Ensemble Eternal Interlude Sunnyside Records 2009 The music on Eternal Interlude by drummer John Hollenbeck cannot be described in one word, but if it could that word would be “poignant." But of course, one word is not enough, so in settling for two, those would ...

464

Article: Album Review

John Hollenbeck Large Ensemble: Eternal Interlude

Read "Eternal Interlude" reviewed by Troy Collins


In addition to leading the unclassifiable Claudia Quintet and performing numerous sideman duties, composer and percussionist John Hollenbeck is renowned for his inimitable multi-layered writing. Hollenbeck studied under composer Bob Brookmeyer before charting a unique path in creative improvised music, incorporating elements of minimalism, post-rock and indigenous folk music into his eclectic compositions. As leader of ...

694

Article: Live Review

George Wein's CareFusion Jazz Festival 55 a Triumph

Read "George Wein's CareFusion Jazz Festival 55 a Triumph" reviewed by R.J. DeLuke


There seemed to be a distinct feeling in the air at this year's jazz festival in Newport, R.I. It would be easy to imagine that there was something in the air, because the festival that was started by impresario George Wein way back in 1954 and became the model for all to follow had suffered an ...


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